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Bernardo Villar
* 1973, currently based: Madrid, Spain
Affiliated institution: M0us310n
www.daftgallery.com
About
Fundador y director de M0us310n.net y Daft Gallery. Sociólogo especializado en la relación entre el arte y las nuevas tecnologías de la comunicación 2.0. M0us310n.net es una iniciativa independiente para promover y apoyar el Net.Art y el Arte Digital. Periodicamente organiza convocatorias artisticas de Net.art y Arte Digital en red 2.0.
CV
2008 - 2014
M0US310n.net


2016 Founder Daft Gallery

2008 - 2014 M0US310n.net / Ha realizado varias ponencias en torno al arte y las redes 2.0 en instituciones como:
-CAAC | Centro Andaluz de Arte Contemporáneo. Sevilla
-MUSAC | Museo de Arte Contemporáneo de Castilla y León.
-ETOPIA | Centro de Arte y Tecnología. Zaragoza
-PechaKucha20x20
-MUSEO DA2. Salamanca
-LA CASA ENCENDIDA. Madrid
-IV Encuentro RED de Estudios de la CIENCIA y la TECNOLOGÍA.
-Universidad de Salamanca

M0us310n.net ha recibido el MOBILE Award 2014 otorgado por TRANSCULTURES Belgium
a la mejor exposición online 2014 por MON3Y.us,
dentro de Mons 2015, Capitale Européenne de la Culture

Así mismo MON3Y.us ha sido nominada a
"Mejor proyecto curatorial en espacios privados" | Reconocimientos del Arte Contemporáneo 2103
organizados por el IAC en el Museo Reina Sofía
@MNCARS Museo Reina Sofía

MON3y.us ha sido incluido entre los recursos de MONEYlab
organizado por el Institute of Network Cultures de Amsterdam en Holanda
http://networkcultures.org/

La exposición MON3Y.us ha sido referenciada de manera amplia en prensa internacional,
tanto especializada como no especializada, entre ellos:

-Furtherfield
-Curating YouTube
-Net-art.org
-El Pais
-The Creators Project VICE | INTEL
-Wired
-Metropolis M
-Prosthetic Knownledge
-Arshake
-The Collector Tribune
-Rhizome.org

También ha colaborado con la Universidad Jorge Tadeo Lozano de Bogotá | Colombia
en la publicación "Tarjeta de Memoria / Memory Card. Ensayos sobre fotografía contemporánea”
con su texto:
"Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0"

En la actualidad M0us310n está preparando su próxima exposición colectiva de Arte Digital y Net.art


News
14.09.2016
Daft Gallery is online

Daft Gallery believes in the strength and the potential of anonymous artists. We are therefore deeply committed to the growth and development of this kind of artists, and through a market oriented approach and promotion internationally. http://daftgallery.com Daft Gallery supports and represents anonymous artists whom, in their work, remain true to their convictions and their ideals. We are the intermediary between artist and client and place equal value on the interests of both parties. As gallery we offer the artists a professional and stable basis which serves as a solid foundation for the development of their careers. We support not only the development of the artist, but also the development of the art market, since ultimately this benefits the artist as well as the client. It is after of great interest to the client, when the artist he or she has invested in, is capable of growing professionally. This process is also particularly well served when the number of collectors of Post-Internet Art increases. Our international goal is to increasingly present and promote anonymous artists.
30.11.2014
Inside the www.WHIT3CU.be | Special Edition

When Inside the White Cube first appeared in Artforum in 1976, its impact was immediate. Without a doubt, O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. But, what happens nowadays when this relationship takes place between the post-modern commercial and museum gallery and Digital Art? Despite the fact that both Digital Art and Net.art have the ability to dissolve this dependence, does it seem that it still survives as a decisive factor in their future development, and social reception? Furthermore, what can Digital Art & Net.art do inside the White Cube? Taking this into account, Inside the www.WHIT3CU.be | An Exhibition Online Gallery seeks for digital works that deal with a wide range of issues in connection with this theme by taking the Virtual Whit3 Cube as an essential part of the submitted piece. ___________________________________________________________________ Inside the www.WHIT3CU.be | An Exhibition Online Gallery a new project of M0us310n.net *concept & curatorship: Bernardo Villar DEADLINE_ 30/11/2014
Exhibitions & Conferences
Publications & References