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Jens Hauser
* 1969

2014 Ph.D., Media Studies, Ruhr University Bochum, Germany (summa cum laude)

1991 Diplôme Universitaire de Technologie, Scientific Journalism (equivalent M.A. degree), Université François Rabelais de Tours, France


2016-2018 Postdoc Art & bio- and natural sciences/technology, IKK & Medical Museion, Copenhagen University

2014-2016 Postdoc Art & Bioscience, IKK & Medical Museion, Copenhagen University

2014-2018 Distinguished Affiliate Faculty, Department of Art, Michigan State University, USA

2007-2009 Research Associate, Institute for Media Studies, Ruhr Universität Bochum, Germany

2006-2018 Affiliate Faculty, Department for Image Science, Danube University Krems, Austria

1992-2007 Television journalist/chief editor for cultural news, ARTE, Strasbourg/Paris

1993-1996 Television journalist/producer, Euronews, Lyon

1992-1993 Television journalist, Câblespace, Paris

1991-1992 Radio journalist, Radio France Internationale, Paris


SLSAeu Green Conference

The 12th European Society for Literature, Science and the Arts Conference organized in collaboration with Medical Sciences/Medical Museion and the University of Copenhagen, Faculty of Humanities and the Faculty of Health with support from other UCPH departments, and Aarhus University. The chair of the conference is Jens Hauser, Paris and Copenhagen based media studies scholar and curator of numerous exhibitions.
Publications & References
Hauser, Jens. »Disentangling Aliveness, Naturalness and Greenness.« In The New State of The Living, edited by Dmitry Bulatov. Perm: The Museum of Contemporary Art PERMM, 2019.
Hauser, Jens. »Rehabilitating Bacteria: A Contemporary Art/Science Interface.« In Shifting Interfaces : Presence and Relationality in New Media Arts of the Early 21st Century, edited by Hava Aldouby. Leuven: Leuven University Press, 2019.
Hauser, Jens. »Greenness: Sketching the Limits of a Normative Fetish.« In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.
Hauser, Jens and Ingeborg Reichle and Hans-Jörg Rheinberger. »Synthetisch: Biologie und Kunst.« In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag Kadmos, 2018.
Hauser, Jens. »Vert.« PALAIS 28 (2018): 145.
Hauser, Jens. »Art and Agency in Times of Wetware.« In Les paradoxes du vivant = The paradoxes of the living: |Les paradoxes du vivant = The paradoxes of the livingThe Paradoxes of the Living, edited by CollectifVol.04. Stream, , 263-269. Paris: PCA éditions, 2017.
Hauser, Jens. »Leuchtgehirne, Bakteriengoldgräber und DNA-Photoshopping: Kunst mit Biomedien und jenseits der Artengrenzen.« In Möglichkeit Mensch: Körper | Sphären | Apparaturen Möglichkeit Mensch: Körper, Sphären, Apparaturen: künstlerische und wissenschaftliche Perspektiven, edited by Claudia Emmert and Ina Neddermeyer, 132-140. Berlin: Neofelis, 2017.
Hauser, Jens. »Biomediality and Art.« In Recomposing Art and Science: Artists-in-Labs, edited by Irene Hediger and Jill Scott, 201-219. Berlin: De Gruyter, 2016.
Hauser, Jens. »It’s Time for a Wetware Update.« In WETWARE: Art - Agency - Animation, edited by David Familian and Jens Hauser, 11-21. Irvine: Regents of the University of California, 2016.
Hauser, Jens and Paul Thomas. »Remediating Still Life, Pencils of Nature and Fingerprints.« In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.
Hauser, Jens. Paul Vanouse - Fingerprints... Index - Abdruck - Spur. Berlin: Argobooks, 2011.
Hauser, Jens. »Observations on an Art of Growing Interest: Toward a Phenomenological Approach to Art Involving Biotechnology.« In Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz Da Costa and Kavita Philip, 83-103. Cambridge: MIT Press, 2008.
Hauser, Jens. »I Turtle? Thoughts and Paradoxes based on Su-Mei Tse's Ich-Manifestation.« In Su Mei-Tse, edited by Enrico Lunghi and Susanne Ghez, 167-185. Chicago: The Renaissance Society at The University of Chicago, 2006.
Hauser, Jens. »Bios, techne, logos: un art très contemporain.« Inter 94 (2006): 14-19.
Hauser, Jens. »Taxonomy of an Etymological Monster.« In Hybrid : Living in Paradox, edited by Christine Schöpf and Gerfried Stocker, 182-193. Ostfildern-Ruit: Hatje Cantz Verlag, 2005.
Hauser, Jens. L'art biotech. Paris: Editions Filigranes, 2003.