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»A Computer in the Art Room: The Origins of British Computer Arts 1950-1980«

Catherine Mason. A Computer in the Art Room: The Origins of British Computer Arts 1950-1980. Norfolk, UK: JJG Publishing, 2008.
Related Works
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carpenters workshop gallery is proud to present a solo show by random international. following the success of random international's inclusion in Deco...

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The Behaviour of Objects is rAndom’s first gallery exhibition in London with Carpenters Workshop Gallery in Mayfair. Exhibiting both ‘Swarm Light’ and...

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Commissioned by Candy & Candy for Home House,

London / UK

‘Radius’ is a sound-reactive media installation that plays with the

light emitted by spat...

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AMPLITUDE

Commissioned by Design Miami for the Fendi

flagship store / Rome 2010

Conceived as further experimental research into the principles of

...

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Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of...

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Ryoji Ikeda is one of Japan’s most celebrated electronic composers. Since 1995 he has been making work that investigates the characteristics of sound,...

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Continuing in the tradition of free online distribution of netart in the 90s, Arcs21 offers the user the possibilities of research, playing and co-cre...

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Generator.x is a curatorial platform exploring the use of generative strategies and software processes in digital art, architecture and design. It foc...

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As I mentioned in a previous entry, I am working on an application to be presented at the V&A Decode exhibition opening in December. I was asked to re...

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Make Out

Shadow Box 8 , 2009

"Make Out" is the eight piece in the Shadow Box series of interactive displays with a built-in computerized tracking sy...

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Julius Popp develops interdisciplinary works in which art and science converge. He trained as a photographer and studied at the Hochschule für Grafik ...

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MIRRORS

Commissioned by Artwise Curators for REGUS HQ,

Berkeley Square, London / 2009

‘Mirrors’ in London’s Bruton Street is rAndom’s first permane...

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YOU FADE TO LIGHT

Commissioned by Philips Royal Electronics /

Milan 2009

‘You Fade To Light’ is is an interactive media installation that

provokes...

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Troika was commissioned by onedotzero to create a custom installation and visual identity around the theme of this year’s festival 'Citystates'. Opt...

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Director of Technology - House of Card's Music video, interactive data viewer, and source code.

 

With Director James Frost and a bunch of other grea...

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Aaron Koblin is an artist specialising in data visualisation. Koblin’s work has been shown at international festivals including Ars Electronica, SIGGR...

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The founding members of rAndom International: Hannes Koch (b. 1975, Germany), Florian Ortkrass (b. 1975, Germany) and Stuart Wood (b. 1980, UK) met wh...

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I created Design By Numbers during in a time when getting artists and designers to program the computer was just beginning to become in vogue. I spent...

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In February 2010, rAndom went to the US to install the first copy of the Audience edition for a private collection. The installation is laid out on a ...

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Opto-Isolator (2007: Golan Levin with Greg Baltus) inverts the condition of spectatorship by exploring the questions: "What if artworks could know how...

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The mechanical mirrors are made of various materials but share the same behavior and interaction; any person standing in front of one of these pieces ...

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The Victoria & Albert Museum commissioned us to create the Madejski Garden Winter Light Installation for 2008-9, to mark the start of their new digita...

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Generative festival identity for the V&A's new landmark show Decode: Digital Design Sensations. The project is fully open source and include public co...

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Two installations help visitors interpret John Constable's work at Tate Britain, through active participation and observation. Created at AllofUs.

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PIXELSHADE (I & II)

The ‘PixelShades’ are part of a series of projects that were

developed for the occasion of showing with Ingo Maurer in Milan &

...

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We Feel Fine is an exploration of human emotion on a global scale.

 

Since August 2005, We Feel Fine has been harvesting human feelings from a large ...

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PIXELROLLER

VARIOUS PROTOTYPES 2005-2010

PixelRollers do exactly what their name suggests. They are

performance tools for rapidly applying any pixe...

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C.E.B. Reas lives and works in Los Angeles. His work focuses on defining processes and translating them into visualisations. Since 2001, he has develo...

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Sensity is part of "The Emergent City" series of works by Stanza.

Artworks monitoring the real time interactive city using wireless sensors.

If you ...

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Listening Post is situated in the permanent collections of the Science Museum, South Kensington, London, and is on site loan to the Decode exhibition....

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