Voz Alta

Photo by Antimodular Research and Alejandro Blázquez
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Photo by Antimodular Research and Alejandro Blázquez
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1500 × 1050

voz alta
image/tiff
1500 × 1050

Photo by Antimodular Research and Alejandro Blázquez
image/tiff
1500 × 1050

Photo by Antimodular Research and Alejandro Blázquez
image/tiff
1500 × 1050

Photo by Antimodular Research and Alejandro Blázquez
image/jpeg
3300 × 2250

Photo by Antimodular Research and Alejandro Blázquez
image/jpeg
3300 × 2250

Photo by Antimodular Research and Alejandro Blázquez
image/jpeg
3300 × 2250

Photo by Antimodular Research and Alejandro Blázquez
image/jpeg
2250 × 3300

Photo by Antimodular Research and Alejandro Blázquez
image/jpeg
3300 × 2250

"Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco, which took place on October 2nd 1968. In the piece, participants speak freely into a megaphone placed on the "Plaza de las Tres Culturas", right where the massacre took place. As the megaphone amplifies the voice, a 10kW searchlight automatically "beams" the voice as a sequence of flashes: if the voice is silent the light is off and as it gets louder so does the light's brightness. As the searchlight beam hits the top of the building of the Ministry of Foreign Affairs, now Centro Cultural Tlatelolco, it is relayed by three additional searchlights, one pointed to the north, one to the southeast towards Zócalo Square and one to the southwest towards the Monument to the Revolution. Depending on the weather, the searchlights could be seen from a 15Km radius, quietly transmitting the voice of the participants over Mexico City. Anyone around the city could tune into 96.1FM Radio UNAM to listen in live to what the lights were saying.

When no one was participanting the light on the Plaza was off but the three lights on the building played back archival recordings of survivors, interviews with intellectuals and politicians, music from 1968 and radio art pieces commissioned by Radio UNAM. In this way the memory of the event was mixed with live participation.
Thousands of people participated in this project, without censorship or moderation. Participation included statements from survivors, street poetry, shout-outs, ad hoc art performaces, marriage proposals, calls for protest and more.

(Photos by Antimodular Research and Alejandro Blázquez)