25.03.2022
Ruth Schnell14 Bienal de la HabanaGroup exhibition- Centro Wilfredo Lam among other locations- Havana, Cuba; 25
...01.01.2022
pey-Chwen LinTurner, Ming (2021). ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ in Gladston, Paul, Beccy Kennedy-Schtyk and Ming Turner (eds.) Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity. London: Palgrave Macmillan, pp. 225-244.https://link.springer.com/chapter/10.1007/978-981-16-5293-6_10
Technological
...26.05.2022
pey-Chwen LinTopologies of Sensibility in the Age of A.Ihttps://www.techart.cau.ac.kr/conferences/2022-techart-conference
Congratulatio
...31.03.2022
Radoslav RochallyiNew BookA new collection of equation poetry is in the world. This time in Slovak
...
»Off-Sense« 
Light Box
Information
Archive of Digital Art (ADA). “Masaki Fujihata - »Off-Sense«”. https://www.digitalartarchive.at/database/general/work/off-sense.html (retrieved 1970-01-01).
@online{ADAartistprofile,
author = {Archive of Digital Art (ADA)},
title = {Masaki Fujihata - »Off-Sense«},
url =
{https://www.digitalartarchive.at/database/general/work/off-sense.html},
urldate = {retrieved 1970-01-01}
Descriptions & Essays
Off-Sense is an extended version of Nuzzle Afar.
Both challenges to design a cyberspace as a meeting place. It stands completely opposite position to the famous network game "DOOM". Video image texture and audio conneciton enables to humen common type of communication.
Each avatar contains/generates trace path as a thread like wire line in 3D which enalbes other avatar/people to know the past movement/existance of others.
Once two avatars face together, then two can enter the another avatar(!). Two would be in a new spherical space for intimate contact.
Other additional features for the %Off-Sense" is some artificial intelligences. Autonomous movements and a capabilities of artificial conversations. While no users are in the gallery, avatars are walking and talking autonomously. It is like a noisy fish tank.
(Masaki Fujihata)