Making of Eve Clone III

© Media: Large-scale Projection Installation, Digital Image and Sound, 3D Animation, Computer, Projector, Screen, and StereoDimensions: Depends on exhibition siteYear: 2020 ; https://linpeychwen.com/making-of-eve-clone-iii/

Lin Pey-Chwen

Making of Eve Clone III , 2020

Co-workers & Funding

Sheng-Chieh Wang, Chin-Hsiang Hu/ Lin Pey-Chwen Digital Art Lab

https://linpeychwen.com/making-of-eve-clone-iii/

Mnemosyne

Last updated: 2021-10-18

Documents

Making of Eve Clone III

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Description

In “Making of Eve Clone III”, Lin Pey-Chwen continued to select scriptures from the Book of Daniel and Book of Revelation in the Bible, and also included the Proclamation of God’s Kingdom by the Prophet, Elijah Hong. These texts are projected throughout the entire exhibition space, which was made possible by the use of mesh wrapping and perspective technology for digital images. Videos featuring large, bold fonts slowly flow outwards, gradually expanding, and then they start to emit light. With digital spiritual music in the background, the artist creates a kind of immersive space that transcends the print frames, forming an irresistible tension. Finally, the videos “Great Babylon” and “Revelation of Eve Clone IV” have been carried by the screen monitors and installed in the space. The plot of the films and the projected texts intersect and resonate with each other, making a powerful statement about the important revelation of the Bible prophecy and the Proclamation of God’s Kingdom.

Keywords

aesthetics
- affective
- anamorphic
- animated
- anthropomorph
- assembled
- automated
- autopoietic
- collaborative
- contextual
- cybernetic
- documenting
- duplicated
- ephemeral
- experimental
- hypermediacy
- illusionary
- immaterial
- immersive
- installation-based
- interactive
- intermedial
- multi-user
- multiple
- narrative
- projected
- real-time
- sculptural
- site-specific
- three-dimensional
- time-based
- virtual
- visual
genres
- conceptual art
  - art interventions
- digital animation
- digital graphics
- installations
  - performative installations
subjects
- Art and Science
  - algorithms
  - biology
  - code
  - cyberspace
  - dynamical systems
  - experiments
  - humanities
  - philosophy
  - representation of knowledge
  - space
- Arts and Visual Culture
  - allegory
  - animations
  - beauty
  - fashion
  - gaze
  - grids
  - literature
  - model
  - music
  - optical illusion
  - projections
  - representation
  - sketches
  - spectator
  - symbolism
  - theory
    - complexity
    - media theory
    - Postmodernism
  - virtuality
  - visual culture
- Body and Psychology
  - affect
  - bodies (animal components)
  - cybersex
  - cyborgs
  - emotion
  - expression
  - fantasy
  - gender
  - genetics
  - gesture
  - hands
  - humans
  - identity
  - intimacy
  - movement
  - perception
  - performativity
  - physiognomy
  - posthuman
  - self awareness
  - senses
  - sexuality
  - skin
- History and Memory
  - artifacts
  - meme
  - teleology
- Media and Communication
  - global village
  - hypertext
  - information
  - language
  - motion pictures (visual works)
  - open source
  - print media
  - visualization
  - writing
technology
- displays
  - electronic displays
    - Binocular Omni-Orientation Monitor (BOOM)
    - Cave automatic virtual environment (CAVE)
    - computer monitors
    - electromechanical display devices
    - printers
    - projection screens
    - projectors
- hardware
  - cameras
  - mice (input device)
  - mobile devices
- software
  - wireless sensor networks (WSN)

Technology & Material

Display

Media : Large-scale Projection Installation, Digital Image and Sound, 3D Animation, Computer, Projector, Screen, and Stereo
Dimensions : Depends on exhibition site
Year : 2020

By using Mapping technology to project the select scriptures from the Book of Daniel and Book of Revelation in the Bible, and also included the Proclamation of God’s Kingdom by the Prophet, Elijah Hong. These texts are projected throughout the entire exhibition space.

By using the 3D animation technology to create the digital film shown in five monitors which installed in the exhibition site.

Exhibitions & Events

"Eve Clone Series" - Lin Pey-Chwen Solo Exhibition

2011

Bibliography

Dr. Turner, Ming. »Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series.« East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
Fang-Ho, Cheng. »Speaking Subject — Lin Pey- Chwen’s Eve Clone.« Artist Magazine (2014): 404-407.
Kuang-ying Kuo, Gwen. »From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity.« Taiwan Digital Art and Information Center (2014).
Tseng, Jane. »The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory.« Art Appreciation (2011): 61-63.
Chih-Yung, Chiu. »God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series.« https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.

5 publications