Latent Figure Protocol

Paul Vanouse
© LFP apparatus and installation, Copywrong, Duncan of Jordanstone College of Art and Design, Dundee, Scotland. ; Paul Vanouse

Paul Vanouse

Latent Figure Protocol ,
Co-workers & Funding
Scientific Consultant/Collaborator:
Dr. Susan Barker, Senior Lecturer, School of Plant Biology, University of Western Australia, Perth, Australia.
Additional Thanks to:
Gary Cass, Oron Catts, Ionat Zurr, and Jane Coakley at SymbioticA Research Labratory, University of Western Australia.
Dr. Gerald Koudelka, Joan Linder, Eve Killaby, Gary Nottingham, Chris Siano at the University at Buffalo.
Creative Capital, Emerging Fields, Project Grant.
Renew Media (Formerly Rockefeller Foundation), New Media Fellowship.
New York State Council on the Arts, Project Grant.
Honorary Research Fellowship, SymbioticA, University of Western Australia, Australia*.
Prix ARS Electronica 2007, Honorary Mention.
Documents
  • LFP 1
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    929 × 622
  • LFP 2
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    450 × 383
  • LFP 3
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    800 × 601
  • LFP 4
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    550 × 500
  • LFP 5
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    538 × 371
Description
Latent Figure Protocol takes the form of a media installation that uses DNA samples to create emergent representational images. The installation includes a live science experiment, the result of which is videotaped and repeated for the duration of the gallery exhibit. Employing a reactive gel and electrical current, Latent Figure Protocol produces images that relate directly to the DNA samples used. The above images were re-produced live. Each performance lasts approximately one hour, during which time audience members see the image slowly emerge.
In the first experiment, a copyright symbol is derived from the DNA of an industrially-produced organism (a plasmid called “pET-11a”), illuminating ethical questions around the changing status of organic life and the ownership of living organisms. Future instances of the LFP will use the DNA of other subjects and create other images.
*This project was researched and developed during a residency at SymbioticA: The Art and Science Collaborative Research Laboratory at the School of Anatomy & Human Biology, University of Western Australia.
For further information about this project go to: http://www.paulvanouse.com/lfp.html
Keywords
  • aesthetics
    • processual
  • genres
    • bioart
    • installations
      • performative installations
    • performance art
      • multimedia performances
  • subjects
    • Nature and Environment
      • DNA
  • technology
    • displays
      • electronic displays
        • projection screens
Technology & Material
Installation Requirements / Space
Exhibitions & Events
Bibliography