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Exhibition : »No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan«

Tate Modern, London
2010
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Within TUTOR project, Olga Kisseleva once more hones in on the mobile phone - the contemporary prosthesis that accompanies us on all our journeys.

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For me, as an artist working with software CONSPIRE is first about encoding. As an ex-soviet, I perceive CONSPIRE in the same time like a dissident’s ...

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Conclusive Evidence is the title of one of Vladimir Nabokov's novels, which deals with his experience of emigration. In the Russian version, which app...

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The digital animation "Conquistadors" examines the tensions and conflicts that define the Russian territory in the age of privatization. The artist re...

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Douce France is in situ project for Abbey de Maubuisson.The Abbey appears to Olga Kisseleva as a paradigm of this “Douce France” she had dreamed in Ru...

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Three screens are linked to three body-building machines that visitors are invited to use. Doing so activates images of demonstrators projected onto t...

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video graphics works Censorship is totally integrated into information production and distribution. In the photographic series Hidden, gore and zoophi...

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Landstream visualizes the flux produced by communication technologies, the invisible signals which cross through us, and of which we are, most of the ...

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"Olga Kisseleva’s project for the Musée Chagall, is formulated as an echo to the works displayed in the exhibition space but opens the proposition as ...

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Three accessories identify a VIP: his/her passport, cell phone and international credit card. One sculpture condenses these three products into one. T...

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