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Luz Maria Sanchez

http://luzmariasanchez.com/

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Archive of Digital Art (ADA). “Luz Maria Sanchez – artist profile”. https://www.digitalartarchive.at/database/artists/general/artist/sanchez.html. (retrieved 2021-05-09). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Luz Maria Sanchez artist profile}, url = {https://www.digitalartarchive.at/database/artists/general/artist/sanchez.html}, urldate = {retrieved 2021-05-09}
About
Luz María Sánchez Cardona is a transdisciplinary artist, writer, and scholar. She holds a doctorate in Art from the Autonomous University of Barcelona. Sánchez Cardona is the recipient of two consecutive Honorary Mentions at Prix Ars Electronica: 2021 in Sound Art and Digital Musics category and 2020 in Digital Communities category. Her books include Sonar. Navigation/Location of Sound in the XX Century Contemporary Art Practices (Spanish. UAM: 2018), Electronic Samuel Beckett: Cochlear Samuel Beckett (Spanish. UAM: 2016), The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation (Bilingual. Fonca: 2016), as well as several books and journal chapters.

Sánchez Cardona’s artwork operates in the political sphere. Among the curators Sánchez has worked with are Amanda de la Garza, Amada Cruz, Yuko Hasegawa, Ryszard Kluszczynski, and Morten Søndergaard/Peter Weibel. Sánchez Cardona’s artworks have been presented at Ars Electronica, Linz; ZKM, Karlsruhe; WRO Art Center, Wroclaw; Centro de Cultura Contemporánea CCCB, Barcelona; Illinois State Museum, Chicago; Museum of Contemporary Art, Bogota; and in Mexico City at the Museum of Modern Art, and Museo Universitario Arte Contemporáneo MUAC.

Sánchez Cardona is an Artistic Member of the National System of Art Creators (SNCA) and a Member of the National System of Scientific Research (SNI) in Mexico. She was Head of the Department of Arts and Humanities (2015 to 2019) at Universidad Autónoma Metropolitana, Director of television Channel 22 International (2009-2013) and Director of Radio Universidad de Guadalajara (2008).

Sánchez Cardona is the Beckett-México platform founder, which hosted the 4th International Conference of the Samuel Beckett Society (2018). Following by the organisation of two international conferences: Beckett-Mexico [Encounter 01] (2019) and Beckett-Mexico [Encounter 02] (2020). www.beckett-mexico.org
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Works
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News
29.03.2021

Art + Technology Series: Richard Mosse + Luz María Sánchez https://www.youtube.com/channel/UCtHzL4NJisJVozqX0kklGfA

EPISODE 12: What is Truth? PART 1: Violence: Seen & Heard | What is Truth? In this episode, we meet two incredible contemporary artists whose work with technology explores the complexities of VIOLENCE. Guided by writer and scholar Macarena Gómez-Barris, we find out what drives them to make work that explores this topic. Join us as we meet artist Richard Mosse, whose sublime documentary photography and film works shine a light on often forgotten conflict zones around the world and Luz María Sánchez whose experiments with sound work call attention to the ongoing and terrifying disappearances of women in Mexico. Can art and technology change our understanding of conflict and violence? ART+TECHNOLOGY is brought to you by Hyundai Motor Company and produced in partnership with Bloomberg Media Group.

Publications & References
Sanchez Cardona, LM. »Sounds [That] Are Not. Is there any time left?.« In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, . Gdańsk: LAZNIA Centre for Contemporary Art, 2020.
Sanchez Cardona, LM. »The making of a nomenclature: José Iges on Radiophonic Art.« In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila Mildorf. London: Lexington Books, 2020.
Sanchez Cardona, LM. »Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico.« In Seven experiences of listening and protest in artistic practices, edited by Ana Paula Sánchez-CardonaDocumentos DAH, . Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2020.
Sanchez Cardona, LM. »Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico.« Unlikely Journal for Creative Arts , no. Issue 7 (https://unlikely.net.au/issue-06/intermittent-space 2020): online.
Sanchez Cardona, LM. Sonar. Navigation // Location of Sound in the Artistic Practices in the 20th Century. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2018.
Sanchez Cardona, LM. »An image no for the eyes made with words not for the ear.« In Folios Reverberations: Art and Sound in the MUAC Collections, edited by Israel Martínez. Mexico: University Museum of Contemporary Art MUAC, 2017.
Sanchez Cardona, LM. Electronic Samuel Beckett: Cochlear Samuel Beckett. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2016.
Sanchez Cardona, LM. Approximations to the New Narrative of Jalisco. Guadalajara: Universidad de Guadalajara/Fonca, 2000.