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Claudia Robles-Angel
, currently based: Cologne, Germany

Archive of Digital Art (ADA). “Claudia Robles-Angel – artist profile”. (retrieved 2021-22-09). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Claudia Robles-Angel artist profile}, url = {}, urldate = {retrieved 2021-22-09}
Claudia Robles-Angel is an interdisciplinary artist born in Bogotá-Colombia, currently living in Cologne-Germany and active worldwide.

Her work and research cover different aspects of visual and sound art, which extend from audiovisual fixed-media compositions to performances and installations interacting with biomedical signals via the usage of interfaces such as, for example, the BCI -Brain Computer Interface-, measuring brain waves activity.

She has been artist-in-residence in several outstanding institutions, for example at ZKM Karlsruhe (DE), KHM Cologne (DE), at the ICST – Institute for Computer Music and Sound Technologies ZHdK Zurich (CH) and at the CMMAS – Mexican Center for the Music and the Soundarts Morelia (MX).

Her work is constantly featured in not only media and sound-based festivals/conferences but also in group and solo exhibitions around the globe, for example, the ZKM Center in Karlsruhe; KIBLA Multimedia Centre in Maribor, Bauhaus Museum für Gestaltung Berlin, the International Computer Music Conferences ICMC in Copenhagen, Montréal and Utrecht; Festival Internacional de la Imagen in Manizales, ESPACIO Fundación Telefónica in Buenos Aires, DRHA2010 Sensual Technologies London, New York City Electroacoustic Music Festival NYCEMF; SIGGRAPH Asia in Yokohama; Re-New Festival Copenhagen; New Interfaces for Musical Expression Conference NIME Oslo; ISEA Istanbul, Manizales, Durban and Gwangju, at the 55th Venice Biennale (CAMP Festival - Prohelvetia - Salon Suisse), New Media Art Festival Miami, Audio Art Festival Cracow, CMMR Symposium on Computer Music Multidisciplinary Research Plymouth and Marseille, at Harvestworks Digital Media Arts Center New York City, Museum of Contemporary Art Bogotá, MADATAC 07 Madrid, IK Stichting Vlissingen, Digitale Duesseldorf, Athens Digital Art Festival ADAF, Immersive Lab ICST Zurich, Heroines of Sound Berlin, Museo de Antioquia, Experimental Intermedia New York City, RE:SOUND Festival/MAH Aalborg, SA))_gallery-Electromuseum Moscow, CMMAS -Mexican Center for the Music and the Sound Arts Morelia, Kunst-Station Sankt Peter Köln and recently at MM Gerdau Museum in Belo Horizonte.

Extended CV:


July - October 2020
Foundation Künstlerdorf Schöppingen

January - February 2019
CMMAS Mexican Center for the Music and the Soundarts. Morelia (Mexico)

September 2017 – May 2018
ICST Institute for Computer Music and Sound Technologies.
Zurich University of the Arts. (Switzerland)

February – April 2016
IK Foundation, Vlissingen (The Netherlands)

June 2008 – February 2009
Art and Media Department – KHM Academy of Media Arts, Cologne (Germany)

July 2005 – December 2007
Institute for Basic Research- ZKM - Centre for Art and Media. Karlsruhe (Germany)

August 2004 – February 2005
Institute for Music and Acoustics – ZKM - Centre for Art and Media. Karlsruhe (Germany)


2001 - 2004
Postgraduate studies in Electronic Music/Sound Art
ICEM - Institute for Computer music and electronic Media
Folkwang Universität der Künste, Essen (Germany)

1993 - 1995
Troisième Cycle in Visual Arts (eq. MFA)
École Supérieure d’Art Visuel - ESAV (since 2006 HEAD) - Geneva (Switzerland)

1992 - 1993
Postgraduate studies in Animation Film.
Centro per la formazione del cinema e la televisione, Milan (Italy)

1985 - 1990
Bachelor / MFA in Fine Arts. Universidad Jorge Tadeo Lozano, Bogotá (Colombia)


CoMciência: Time Crystals at MM Gerdau Museu das Minas e do Metal Belo Horizonte (Brasil)

My installation REFLEXION -In Sync / Out of Sync- at CoMciência: Time Crystals, an exhibition curated by Alexandre Milagres and Tadeus Mucelli at virtual environment:


Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge.  ISBN 9780367271466.

Available for pre-order.

Publications & References
Kleindients, živa and Peter Tomaz Dobrila, ed. Tense Present. Maribor: KIBLA, 2020.
Robles-Angel, Claudia. »The Human Body as an Audiovisual Instrument..« Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge.  ISBN 9780367271466. 1st (2020): chapter 21.
Robles-Angel, Claudia and J. Birringer and U. Seifert and L. Scherffig. »Bio-medical Signals in Media Art..«  ISEA 2017 Proceeding ISBN  978-958-759-161-3. (2017): 720-29.
Robles, Claudia. »Audiovisual: Perspectivas de una entidad indivisible..« IDEAS SONICAS, CMMAS , no. 14 (2015): 19 -23..
Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. »Physical Computing and New Media Art – new challenges.« events. 27. Tonmeistertagung (2012).
Garavaglia, J. and C. Robles. »WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time.« Interactive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012 (2012): 54-59.
Robles, Claudia. »EEG Data in Interactive Art.« Proceedings International Symposium on Electronic Art, ISEA 2011 Istanbul (2011).
Robles, Claudia. »Creating Interactive Multimedia Works with Bio-data..« NIME 2011 Proceeding (2011): 421-424.
Robles, Claudia. »Biofeedback and Choreography.« Performative Science and Beyond, Involving the Process in Research, Hans. H. Diebner editor, Springer Verlag. ISBN 978- 3- 211-33357-0 (2006): 146 – 147.
Grond F and Robles C.. »INTERMITTENT – a Generative Audio-Visual Installation..« Performative Science and Beyond, Involving Process in Research, Hans. H. Diebner editor,Springer Verlag (2006): 128 – 131.
Rudolf Frisius and Ludger Brümmer. Audiovisuelle Komposition junger Künstler: Rudolf Frisius und Ludger Brümmer im Gespräch mit Damon Lee, Pei-Zu Shi und Claudia Robles.. Vol.45. Hören und Sehen—Musik audiovisuell, Mainz: Institut für Neue Musik und Musikerziehung Darmstadt, 2005.