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Lila Moore
, currently based: London
Affiliated institution: Alef Trust, LJMU
https://www.cyberneticinstitute.com https://www.cyberneticfutures.com info@cyberneticinstitute.com

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Archive of Digital Art (ADA). “Lila Moore – artist profile”. https://www.digitalartarchive.at/database/artists/general/artist/moore.html. (retrieved 2021-19-07). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Lila Moore artist profile}, url = {https://www.digitalartarchive.at/database/artists/general/artist/moore.html}, urldate = {retrieved 2021-19-07}
About
Lila Moore is an artist film-maker, screen choreographer, theorist, networked performance and mixed reality practitioner. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary art, experimental film, screen-dance and performance with special reference to ritual and myth. She also holds an M.A. in Independent Film and Video from Central Saint Martins College of Art and Design in London. She specialises in Technoetic Arts, and the Cybernetic Futures Institute is based on her postdoc at the Planetary Collegium of Plymouth University, 2015.
Lila Moore’s body of work evolved from her early multimedia performances and experimental film and video in the 1980s-1990s to choreography for the camera and the screen in the late 199os. Her exploration of liminal space-time and states of consciousness has led her to practice networked-digital-interactive forms of performance and narrative in a mixed reality framework.
Lila Moore lectures and writes on digital art, film, culture and new technologies in the context of technoetic arts, modern and contemporary spiritualities, consciousness studies and mysticism. She presents papers in academic conferences such as EVA London, SIGGRAPH 2020 and Consciousness Reframed.
Lila Moore regularly participates in international, juried and curated, exhibitions. She curates the White Empathy Box online gallery, and a member of White Page Gallery/s, andf FEMeeting: Women in Art, Science and Technology.
CV



News
Publications & References
Moore, Lila and Owen Fender. »Sentient: A Social Media Environment as a Conscious Living System.« Proceedings of EVA London 2021 (July 2021): 247-253.
Moore, Lila. »Roy Ascott, Artist's Profile.« https://wrldrels.org/2020/08/13/roy-ascott/ [30.08.2020].
Moore, Lila. »Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality.« https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].
Moore, Lila. »The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind.« Cybernetics and Human Knowing, A Journal of Second-Order Cybernetics, Autopoiesis and Cybersemiotics 2018, no. 2-3 (2018): 119-141.
Moore, Lila. »Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness.« Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.
Moore, Lila. »The Transcendent Double Selfie App.« Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.
Moore, Lila. »Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion.« Technoetic Arts: A Journal of Speculative Research 13, no. 3 (December 2015): 331-339.
Moore, Lila. »Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Artists, Filmmakers and Choreographers.« Master Thesis, Central Saint Martins College of Art and Design, London, 1989.