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Rafael Lozano-Hemmer
* 1967
http://lozano-hemmer.com/eprlh.html
About
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada.

Electronic artist, develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerized surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light and shadow works are “antimonuments for alien agency”.

His work has been commissioned for events such as the Millennium Celebrations in Mexico City (1999), the Cultural Capital of Europe in Rotterdam (2001), the UN World Summit of Cities in Lyon (2003), the opening of the YCAM Center in Japan (2003), the Expansion of the European Union in Dublin (2004), the memorial for the Tlatelolco Student Massacre in Mexico City (2008), the 50th Anniversary of the Guggenheim Museum in New York (2009) and the Winter Olympics in Vacouver (2010).

His kinetic sculptures, responsive environments, video installations and photographs have been shown in museums in four dozen countries. In 2007 he was the first artist to officially represent Mexico at the Venice Biennale with a solo exhibition at Palazzo Soranzo Van Axel. He has also shown at Art Biennials in Sydney, Liverpool, Shanghai, Istanbul, Seville, Seoul, Havana and New Orleans. His work is in private and public collections such as the Museum of Modern Art in New York, the Jumex collection in Mexico, the Museum of 21st Century Art in Kanazawa, the Daros Foundation in Zürich and TATE in London.

He has received two BAFTA British Academy Awards for Interactive Art in London, a Golden Nica at the Prix Ars Electronica in Austria, a distinction at the SFMOMA Webby Awards in San Francisco, "Artist of the year" Rave Award in Wired Magazine, a Rockefeller fellowship, the Trophée des Lumières in Lyon and an International Bauhaus Award in Dessau.

He has given many workshops and conferences, among them at Goldsmiths college, the Bartlett school, Princeton, Harvard, UC Berkeley, Cooper Union, MIT MediaLab, Guggenheim Museum, LA MOCA, Netherlands Architecture Institute and the Art Institute of Chicago. His writing has been published in Kunstforum (Germany), Leonardo (USA), Performance Research (UK), Telepolis (Germany), Movimiento Actual (Mexico), Archis (Netherlands), Aztlán (USA) and other art and media publications.
CV

2003 World Technology Network Award for the Arts, San Francisco
2003 Rockefeller-Ford Fellowship, New York
2003 Production grant from the Daniel Langlois Foundation, Montréal
2002 International Bauhaus Award, Dessau
2002 BAFTA British Academy Award for Interactive Art in London
2000 Excellence Award, Media Arts Festival, CG Arts, Tokio
2000 Golden Nica, Ars Electronica, Linz / Prix Ars Electronica 2000 for Interactive Art
1995 Cyberstar, 2nd Prize, Cologne
1994 curator of the exhibition "Arte Virtual, 12 Propuestas de Arte Reactivo", Madrid
1990 - 1990 Artist in Residence at the Banff Centre for the Arts, Alberta, Canada
1989 B.Sc. in Physical Chemistry from Concordia University, Montréal, Canada


Works
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News
Publications & References
Boucher, Marc. »L´image lumineuse et la scène.« In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 245-272. Québec: Presses de l'Université du Québec, 2003.
Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press, 2002.
Brouwer, Joke and Arjen Mulder, ed. TransUrbanism. Rotterdam, NL: V2_Publishing, 2002.
Lozano-Hemmer, Rafael. »Real and Virtual Light of Relational Architecture: an Interview with Rafael Lozano-Hemmer.« In Uncanny Networks - Dialogues with the Virtual Intelligentsia, edited by Geert Lovink. Cambridge, MA: MIT Press, 2002.
Kerckhove, Derrick de. The Architecture of Intelligence. Wien, New York: Springer Verlag, 2001.
Ranzenbacher, Heimo. »Metaphors of participation / Metaphern der Partizipation.« In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf. Wien, New York: Springer Verlag, 2001.
Kac, Eduardo. »Robotic Art Chronology.« Convergence 7, no. 1 (Spring 2001): 87-111.
Lozano-Hemmer, Rafael and Heimo Ranzenbacher. »Metaphors of Participation / Metaphern der Partizipation - Interview with / mit Rafael Lozano-Hemmer.« In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf. Wien, New York: Springer Verlag, 2001.
Brouwer, Joke and Arjen Mulder and Scott et. al. Lash. Making Art of Databases. Rotterdam, NL: NAi Publishers, 2003.
Massumi, Brian and Rafael et. al. Lozano-Hemmer. »Urban Appointment: A Possible Rendezvous With The City.« In Making Art of Databases, edited by Joke Brouwer and Arjen Mulder, 28-55. Rotterdam, NL: V2_ Publishers, 2003.
Lozano-Hemmer, Rafael. »Alien Relationships from Public Space.« In TransUrbanism, edited by Joke Brouwer and Arjen Mulder. Rotterdam, NL: V2_ Publishers, 2002.
Lozano-Hemmer, Rafael. »Real and Virtual Light of Relational Architecture: an Interview with Rafael Lozano-Hemmer.« In Uncanny Networks - Dialogues with the Virtual Intelligentsia, edited by Geert Lovink. Cambridge, MA: MIT Press, 2002.
Lozano-Hemmer, Rafael and Heimo Ranzenbacher. »Metaphors of Participation / Metaphern der Partizipation - Interview with / mit Rafael Lozano-Hemmer.« In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf. Wien, New York: Springer Verlag, 2001.
Lozano-Hemmer, Rafael, ed. Vectorial Elevation, Relational Architecture No.4. Cuauhtemoc, MEX: Conaculta, 2000.
Lozano-Hemmer, Rafael. »Utterance 4 - Relational Architecture.« Performance Research Magazine 4, no. 2 (Summer 1999).
Lozano-Hemmer, Rafael. »The Relational Museum.« In Proceedings of the International Association of Telecommunication Museums, edited by . London, UK: 1998.
Lozano-Hemmer, Rafael. »Re:Positioning Fear.« Archis (1998).
Lozano-Hemmer, Rafael. »Re:Positioning Fear, Relational Architecture 3.« In Internationale Biennale Film und Architektur, edited by . Graz, AUT: 1997.
Lozano-Hemmer, Rafael. »Displaced Emperors, Relational Architecture 2.« In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine Schöpf. Linz: 1997.
Lozano-Hemmer, Rafael. »Arte Electronico: Pervirtiendo lo tecnológicamente correcto.« Movimiento Actual (November 1997).
Lozano-Hemmer, Rafael. »The Trace: Remote Insinuated Presence.« YLEM (September 1997).
Lozano-Hemmer, Rafael. »Perverting Technological Correctness.« Leonardo Electronic Almanac / Leonardo Art Gallery 29, no. 1 (1996).
Lozano-Hemmer, Rafael. »Floating Trout Space, Interview with Lawrence Paul Yuxweluptun.« Telepolis, Heise online (July 1996).
Lozano-Hemmer, Rafael. »Del tecno-parásito al cibernauta.« Lateral (June 1996).
Lozano-Hemmer, Rafael. »Televerkörperung in Trace.« Kunstforum International (January 1996).
Lozano-Hemmer, Rafael and Susie Ramsay. »Spain Wide Web.« Telepolis, Heise online (April 1996).
Lozano-Hemmer, Rafael. »The Trace.« In Ars Electronica ´95 Compendium (Prix Ars Electronica 1995), edited by . Linz: 1995.
Lozano-Hemmer, Rafael. »Arte Virtual y Reactivo.« In Catálogo de Arte Virtual, edited by . Madrid, ES: Electa Edition, 1994.
Lozano-Hemmer, Rafael. »Surface Tension.« In ACM SIGGRAPH, Visual Proceedings, edited by . Chicago, ILL: 1993.
Lozano-Hemmer, Rafael. »IMmediaCY.« In Ars Electronica 92: Endo Nano. Die Welt von innen, edited by Peter Weibel and Karl GerbelVol.1. . Linz: Landesverlag Linz, 1992.
Lozano-Hemmer, Rafael. »Virtual Reality.« In Bioapparatus, edited by . Banff, Alberta, Canada: The Banff Centre for the Arts, 1991.