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Chris Hales



Cite
X
Archive of Digital Art (ADA). “Chris Hales – artist profile”. https://www.digitalartarchive.at/database/artists/general/artist/hales.html. (retrieved 2013-21-08). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Chris Hales artist profile}, url = {https://www.digitalartarchive.at/database/artists/general/artist/hales.html}, urldate = {retrieved 2013-21-08}
About
Christopher Hales studied PhD research on Interactive Film Art at the RCA Film and TV Department, and taught as Senior Lecturer at the Faculty of Art of the University of the West of England [Bristol] until 2001. His interactive films and CD-ROMs have been shown to date at film/ new media festivals in Sheffield, Perth, Melbourne, FCMM Montreal, Oberhausen, Hong Kong, Helsinki, Rotterdam, Berlin, and others. His "Interactive Cinema" installation showing selections of interactive movies has been shown in Japan, Germany, Holland, Canada, Denmark, London and South Korea. (http://www.zkm.de/futurecinema/hales_cv_e.html)
CV

2002 Co-Founder of STUCKontheweb
2001 PhD Research: "Rethinking the Interactive Movie", SMARTLAB, Central St. Martins School of Art & Design, London
2001 Tutor, Central St Martins School of Art & Design, London / MA Communication Design
2000 - 2001 PhD research at the Institute for New Media Performance Research, University of Surrey
2000 IASPIS, Artist in Residence, Interactive Institute/ Malmö Högskolan, Sweden
1996 - 2000 PhD research: Interactive Film Art, RCA Film/TV school, Kensington Gore, London
1995 ARTEC95 Nagoya, Awarded the Prize for Artistic Excellence
1994 - 1995 MA European Interactive Multimedia, Royal College of Art
1990 - 2001 Senior Lecturer at the UWE Faculty of Art, Media and Design, Bristol / [Fine Art, Media, Design]


News
Exhibitions & Conferences
Publications & References
Hales, Chris. »New Paradigms = New Movies, Interactive Film and New Narrative Interfaces.« In New Screen Media: Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp. Karlsruhe: ZKM and BFI London, 2002.