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Marina Grzinic

http://grzinic-smid.si

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Archive of Digital Art (ADA). “Marina Grzinic – artist profile”. https://www.digitalartarchive.at/database/artists/general/artist/grzinic.html. (retrieved 2020-02-06). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Marina Grzinic artist profile}, url = {https://www.digitalartarchive.at/database/artists/general/artist/grzinic.html}, urldate = {retrieved 2020-02-06}
About
Marina Gržinić is a philosopher, theoretician, and artist based in Ljubljana, Slovenia. Since 2003, she has served as Full Professor at the Academy of Fine Arts in Vienna, Austria. Gržinić does innovative work in practice research, she is a collaborative video artist, and since 1982 has worked together with Aina Šmid, an art historian and artist also from Ljubljana. Gržinić has been involved in many video film presentations and curatorial projects. A selection of her books includes: New Feminism: Worlds of Feminism, Queer and Networking Conditions (co-edited with Rosa Reitsamer, 2008), Necropolitics, Racialization, and Global Capitalism: Historicization of Biopolitics and Forensics of Politics, Art, and Life (with Šefik Tatlić, 2014), Border Thinking: Disassembling Histories of Racialized Violence (editor, 2018) and Opposing Colonialism, Antisemitism, and Turbo-Nationalism: Rethinking the Past for New Conviviality (co-edited with Jovita Pristovšek, and Sophie Uitz, 2020).
CV

Marina Gržinić is a philosopher, theoretician, and artist from Ljubljana. She is a prominent contemporary theoretical and critical figure in Slovenia. Since 1993 she is employed at the Institute of Philosophy at the Scientific and Research Center of the Slovenian Academy of Science and Arts (short ZRC-SAZU in Slovenian and SRC-SASA in English). Today, she serves as a professor and research adviser. For her scientific work, she received the Golden SASA sign in 2007. Since 2003, she has also served as Full Professor at the Academy of Fine Arts in Vienna, Austria. She publishes extensively, lectures worldwide, and is involved in video art since 1982.

Books from 1995 on:

- V vrsti za virtualni kruh : čas, prostor, subjekt in novi mediji v letu 2000, (Zbirka Sophia, 1996, 5). Ljubljana: Znanstveno in publicistično središče, 1996. SLOVENIAN
- Rekonstruirana fikcija : novi mediji, (video) umetnost, postsocializem in retroavantgarda : teorija, politika, estetika : 1997–1985, (Knjižna zbirka Koda). Ljubljana: Študentska organizacija Univerze, Študentska založba, 1997. SLOVENIAN
- U redu za virtualni kruh, (Biblioteka Intermedia, knj. 2). Zagreb: Meandar, 1998. CROATIAN
- Fiction reconstructed : Eastern Europe, post-socialism & the retro-avant-garde. Vienna: Selene, 2000. ENGLISH
- Estetika kibersveta in učinki derealizacije, (Zbirka Prizma). Ljubljana: Založba ZRC, ZRC SAZU, 2003. SLOVENIAN
- Situated contemporary art practices: art, theory, and activism from (the east of) Europe. Ljubljana: Založba ZRC: = ZRC Publishing; Frankfurt am Main: Revolver – Archiv für aktuelle Kunst, 2004. ENGLISH
- Avangarda i politika : istočnoevropska paradigma i rat na Balkanu, (Bibliteka Slovenica). Belgrade: Belgradeski krug, 2005. SERBIAN
- Estetika kibersvijeta i učinci derealizacije, (Basic). Zagreb: Multimedijalni institut; Sarajevo: Košnica – centar za komunikaciju i kulturu, 2005. CROATIAN
- Une fiction reconstruite : Europe de l'Est, post-socialisme et rétro-avant-garde, (Ouverture philosophique). Paris; Budapest; Torino: Harmattan, 2005. FRENCH
-Re-politicizing art, theory, representation and new media technology, (Schriften der Akademie der bildenden Künste Vienna, Vol. 6). Vienna: Schlebrügge.Editor, cop. 2008. ENGLISH
- Necropolitics, Racialization, and Global Capitalism. Historicization of Biopolitics and Forensics of Politics, Art, and Life. Marina Gržinić and Šefik Tatlić, Lexington books, 2014.
- Regimes of invisibility in contemporary art, theory, and culture: image, racialization, history. Marina Gržinić, Aneta Stojnić, and Miško Šuvaković, eds., Cham: Palgrave Macmillan. cop. 2017.
- Shifting corporealities in contemporary performance: danger, im/mobility and politics, Marina Gržinić and Aneta Stojnić, eds., (Avant-gardes in performance). Cham: Palgrave Macmillan. cop. 2018.
- Border Thinking. Disassembling Histories of Racialized Violence. Marina Gržinić, ed., Vienna, Berlin: Publication Series of the Academy of Fine Arts Vienna. Vol 21., and Sternberg Press, 2018.
- Opposing Colonialism, Antisemitism, and Turbo-Nationalism. Rethinking the Past for New Conviviality. Marina Gržinić, Jovita Pristovšek, Sophie Uitz, eds. PEEK/FWF Research Project Vienna, 578 pp., Cambridge Scholars, United Kingdom, 2020.


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