Ricardo Dal Farra
Curriculum vitae
(February 12, 2022)
Concordia University. Music Department, GM 500.07
1455 De Maisonneuve Blvd. West.
Montreal, QC - Canada - H3G 1M8
+1-514-622-7541 - ricardo.dalfarra@concordia.ca
1. EDUCATION
Ph.D. in Études et pratiques des arts (interdisciplinary)
Université du Québec à Montréal (UQAM) - Canada, 2006.
Maestro en Música
University of Caldas - Colombia, 2021.
Music Professor, Buenos Aires Musical Conservatory - Argentina.
Guitar Professor, Buenos Aires Musical Conservatory - Argentina
Computer Programming, Computing and Systems Institute - Argentina.
Areas of competence: Music and media arts.
Electroacoustic and computer music. Media arts. e-Art and environment. Visual-Music. Fulldome art. History and conservation of electroacoustic music and the media arts heritage. Contemporary music. Education, new music/media arts and society. e-Learning. Art, science, humanities and technology. Transdisciplinarity.
2. PROFESSIONAL APPOINTMENTS
a) Academic (teaching)
Concordia University. Department of Music. Professor. Canada. Since 2008.
National University of San Martín. Arts Education. Professor. Argentina. 2001-2002.
National University of Tres de Febrero. Electronic Arts. Professor. Argentina. 2000-2008.
M. Dorrego Institute (college). Audiovisual Arts & Techniques. Professor. Argentina. 1994-1998.
Escuela Panamericana de Arte (college). Design of Image & Sound. Professor. Argentina. 1993.
National Conservatory of Music - National University Institute for the Arts. Professor. Argentina. 1991-2003.
Buenos Aires City’s Higher Conservatory of Music. Professor. Argentina. 1985-2008.
b) Academic (research)
De Montfort University. Music, Innovation and Technology Research Centre. Associated Researcher. UK. Since 2006.
UNESCO. Researcher and Consultant. Digi-Arts worldwide initiative. France. 2002-2003.
La Fondation Daniel Langlois pour l’art, la science et la technologie. Researcher-In-Residence and Consultant. Canada. 2003-2004.
c) Academic (research-related administration)
Hexagram | CIAM - Centre interuniversitaire des arts médiatiques. Co-director. Canada. 2012-2013.
Hexagram Concordia Research-Creation Centre for Media Arts and Technologies. Acting/Associate Director. Concordia University. Canada. 2012 (Acting) / 2013-14 (Associate).
Hexagram. Research-Creation Coordinator. Canada. 2006-2007.
Amauta - Media Arts Andean Centre. Senior Consultant. Cusco, Peru. 2005-2008.
Documentation and Conservation of the Media Arts Heritage (DOCAM). Coordinator (international research alliance). Canada. 2005.
Electronic Arts Research and Experimentation Center (Centro de Experimentación e Investigación en Artes Electrónicas - CEIArtE). Founding Director. National University of Tres de Febrero. Argentina. Since 2002.
National Institute for Technology Education - National Ministry of Education, Science and Technology. Multimedia Communication program. National Coordinator (nation-wide curriculum design program). Argentina. 1996-2003.
d) Service
Concordia University. Steering Committee of Senate, member. Canada. 2017-2018, 2019-2020.
Concordia University. Senate, member. Canada. 2015-2016, 2017-2018, and 2019-2020.
Concordia University. Department of Music. Chair. Canada. 2008-2011.
Manuel Dorrego Institute (college): Audiovisual Arts & Techniques Pedagogical Consultant and Co-Director. Argentina. 1994-1998.
ORT Technical School. Musical Production program. Pedagogical Consultant / Director. Argentina. 1992-1999.
Sociedad Argentina de Educación Musical: Electronic Music Lab. Co-director. Argentina. 1984-1994.
Electroacoustic Music Studio. Director. Argentina. 1978-2003.
e) Other education-related appointments
National Secretary of Agriculture. Pedagogical e-learning Consultant. Argentina. 2002.
iGnisis. e-learning Consultant. Collaborative e-learning systems. Argentina. 2001-2003.
NCS Pearson Argentina. Vice-president Education. Argentina. 1999-2001.
National University of Tres de Febrero. Electronic Arts. Curriculum designer and consultant. Argentina. 1999-2003.
ORT Argentina Association. Curriculum designer and Music Technology Consultant. Argentina. 1997.
3. PUBLICATIONS
Main publications (author and/or editor)
Papers from the 4th and 5th Balance-Unbalance International Conference. Tempe, United States and Manizales, Colombia. Special Section of Leonardo Statements [27 selected papers]. Guest Editor. Leonardo - Journal of the International Society for the Arts, Sciences and Technology. The MIT Press. United States. Online: July, 2017. Printed version: Part 1 - Vol. 51, No. 2,
pp. 175-200, April 2018; Part 2 - Vol. 51, No. 3, pp. 284-311, June 2018. https://www.mitpressjournals.org/toc/leon/51/2
https://www.mitpressjournals.org/toc/leon/51/3
Media-N, Journal of the New Media Caucus. Special issue on: Research-Creation: Explorations. Supporting Associate Editor. Fall, V.11 N.3. Scholarly electronic (ISSN 1942-017X) and print journal (ISSN 2159-6891). United States. 2015.
http://median.newmediacaucus.org/research-creation-explorations/
Papers from the 3rd Balance-Unbalance International Conference. Queensland, Australia, 2013. Special Section of Leonardo Transactions [15 selected papers]. Guest Editor. Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 47, No. 5, pages 489-514. The MIT Press. United States. 2014. http://www.mitpressjournals.org/toc/leon/47/5
New Music and Education. Sonic Ideas/Ideas Sónicas Journal. Special issue: guest editor.
Centro Mexicano para la Música y las Artes Sonoras [ISSN 2317-9694]. Mexico. 2013. http://www.cmmas.org/cmmas_eventos.php?&id=584&lan=en
ElectroAcoustic Resource Site (online). Music, Technology and Innovation Research Centre,
De Montfort University. United Kingdom, 2006-2007. http://www.ears.dmu.ac.uk
A journey of sound through the electroacoustic wires. Art and new technologies in Latin America. Ph.D. Thesis. Université du Québec à Montréal. Canada, 2006.
https://archipel.uqam.ca/2062/1/D1367.pdf
Latin American Electroacoustic Music Collection. The Daniel Langlois Foundation for Art, Science, and Technology. Canada, 2003-2005, 2007-2008, 2013-2014.
La música electroacústica en América Latina. UNESCO’s Digi-Arts. France, 2003.
https://webarchive.unesco.org/20151217102935/http://portal.unesco.org/culture/es/ev.php-URL_ID=15191&URL_DO=DO_TOPIC&URL_SECTION=201.html
Historical aspects of Electroacoustic Music in Latin America: From the Pioneering to the Present Days. Extensive research commissioned by UNESCO’s Digi-Arts. France, 2002-2003.
https://webarchive.unesco.org/20151216011412/http://portal.unesco.org/culture/en/ev.php-URL_ID=15191&URL_DO=DO_TOPIC&URL_SECTION=201.html
Módulos y Material de Apoyo para el Trayecto Técnico Profesional en Comunicación Multimedial (Ricardo Dal Farra, Coordinator). National Institute for Technology Education - National Ministry of Education, Science and Technology. Argentina. 2000-2003.
redi. Multidisciplinary oriented electronic database with multimedia educational resources. (Project Director: R. Dal Farra). National Ministry of Education, Science and Technology of Argentina, with support by the German Agency for Technology Education - GTZ and Apple Computers, Inc. Argentina, 2000-2001
Trayecto Técnico Profesional - Comunicación Multimedial. Documento Base (National standards for multimedia education - R. Dal Farra, Coordinator), National Institute for Technology Education - National Ministry of Culture and Education. Argentina, 1996-1999.
Book chapters, papers, texts, articles (author - partial list):
Part of the Computer Music History… (trust me, Latin America has always been there). Invited paper. Computer Music Journal. The MIT Press [manuscript in preparation: 2022]
Arte-Ciencia. Transdisciplina e innovación aplicadas. [manuscript in preparation: 2022]
A forgotten, almost lost, and partially hidden piece of history: new media arts in Latin America. 2nd Summit on New Media Art Archiving - SNMAA and ISEA2022. Spain [submitted].
Práticas entre Planetários e Laboratórios de Arte e Tecnologia com Projeções Fulldome: Projetos Colaborativos e Redes de Sociabilidade entre Brasil e Argentina / Collaborative Fulldome Networks. eBook chapter (pp. 50-74), in A dimensão cultural nos processos de integração entre países de América Latina (co-authored with Andreia Machado Oliveira and Matheus Moreno dos Santos Camargo), edited by Suzuki, Cintra Nepomuceno, and Cerqueira de Araújo. Universidade de São Paulo [ISBN 978-65-87621-92-0, DOI 10.11606/9786587621920]. Brazil. 2021. http://www.livrosabertos.sibi.usp.br/portaldelivrosUSP/catalog/view/735/653/2420
Balance-Unbalance: The art of living in the physical world, in Proceedings of PANORAMAS 2021: 8th Balance-Unbalance International Conference (BunB) + SIIMI and #20.ART. Rede Media Lab / BR, Brazil + Polytechnic University of Valencia, Spain. 2021.
https://files.cercomp.ufg.br/weby/up/777/o/Balance-Unbalance_-_744.pdf
https://siimi.medialab.ufg.br/p/38651-anais-2021
Espectros Computacionais 360°/3D II para Panorama 360º: processo de criação da interface cérebrocomputador (BCI) na experiência narrativa e imersiva, in Proceedings of PANORAMAS 2021: SIIMI + #20.ART and 8th Balance-Unbalance International Conference (co-authored with Luiza Guimarães and Randolpho Julião) [ISSN 2358-0488]. Rede Media Lab / BR, Brazil + Polytechnic University of Valencia, Spain. 2021. https://siimi.medialab.ufg.br/p/38651-anais-2021 - https://files.cercomp.ufg.br/weby/up/777/o/Espectros_Computacionais_360_-_734.pdf
Humanidades e metamorphoses: interfaces cérebro-computador em “Espectros Computacionais 360”, in Proceedings of the II Congresso Internacional em Humanidades Digitais - HDRio20/21 (co-authored with Dr. Luiza Guimarães and Randolpho Julião). UNIRIO. Brazil. [forthcoming: 2022]. https://www.even3.com.br/hdrio2020/ - https://hdrio2020.org.br/
Acerca de “Apenas el aliento” de Patricia Martinez. Foreward. Book of scores and CD – multimedia. Colección Premio de Composición Casa de las Américas, 2021. Cuba. http://www.casadelasamericas.org/premios/composicion/2019/inicio.php
Balance-Unbalance. Ecology and Citizenship. Ubiquity: Journal of Pervasive Media. Vol. 7. (pp. 63-79). Intellect [ISSN 20456271, online ISSN 2045628X]. December, 2020. United Kingdom. https://www.ubiquityjournal.net - www.intellectbooks.com
Una visión del arte sonoro, y la electroacústica, desde América Latina. Historias no autorizadas de una tierra olvidada, for the catalog accompanying the exhibition Disonata. Arte en sonido hasta 1980 (on sound works by visual artists), curated by Maike Aden. September 23, 2020 to March 1, 2021. Museo Nacional Centro de Arte Reina Sofía. Madrid, Spain.
https://www.museoreinasofia.es/publicaciones/disonata
https://www.museoreinasofia.es/en/publicaciones/disonata
https://www.museoreinasofia.es/en/exhibitions/disonata
Investigación-Creación: Arte y Ciencia, Política y Economía. Updated and revised 2019 version from the original text published in “Creación musical, investigación y producción académica: desafíos para la música en la universidad” [a book edited by D. Quaranta, and published by CMMAS]. (pp. 48-63). Observatorio Iberoamericano de Artes Digitales y Electrónicas. Universidad de la República [ISBN 978-9974-0-1715-3]. Uruguay. November, 2019. http://elbaronrampante.com/OIADEPub.pdf
Also published online by gen.BA - Arte, Ciencia y Tecnología. Argentina. July, 2020. http://gen-ba.org/
Production of Fulldome Artistic Projects Among Southern Hemisphere Countries (co-authored with Andreia Oliveira and Matheus Camargo Moreno, Labinter - Federal University of Santa Maria, Brazil; Milena Szafir, #iR - Federal University of Ceara, Brazil; Luyanda Zindela, René Schmit, and Tasneem Seedat, Durban University of Technology, South Africa). [forthcoming].
About the History of Sound Art, Music and Technology in Latin America. Proceedings of the International Sound Art Curating Conference Series - ISACS17 held at ZKM, Center for Art and Media. Denmark and Germany. [forthcoming].
Experimental [media and computer art] Transdiscipline. Computer Art Congress, CAC.6. Guanajuato, Mexico. October, 2018. http://europia.org/cac6/
Transdisciplinary Collaborative Practices in Art, Science and Technology. International Symposium of Electronic Arts (ISEA2018). Co-authors: Andreia Oliveira (editor), Karla Brunet, René Alicia Smith, Lenara Verle, and Ricardo Dal Farra. South Africa. June, 2018
Arte, Educación, y Medios Electrónicos. Experiencias, desafíos y propuestas. Revista Observatório Itaú Cultural nº 24. Brazil. May, 2018.
http://www.itaucultural.org.br/revista-observatorio-24-arte-cultura-e-educacao-na-america-latina
Research-Creation in Latin America. Book chapter, in The Routledge Research Companion to Electronic Music: Reaching out with Technology, edited by Simon Emmerson. Routledge - Taylor & Francis Group [ISBN 978-1-472-47291-5]. United Kingdom. May, 2018.
https://www.routledge.com/The-Routledge-Research-Companion-to-Electronic-Music-Reaching-out-with/Emmerson/p/book/9781315612911
Balance-Unbalance: Transforming Paradigms (Art <--> Environment). Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 51, No. 2, pp. 176-177.
The MIT Press. United States. April, 2018.
https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_01586
Is it possible to collaborate? Transdisciplinary [art] experiences in education, research, and creation. International Symposium of Electronic Arts (ISEA2018). South Africa. [submitted: 2018].
Cuando la Tierra suena …y nosotros escuchamos. Text (on soundscape, art, culture and society) for the research project and publication Argentina Suena. Argentina [forthcoming].
Interacciones y Comprovisación. New version from an original text published in 2011. Instituto Nacional de Música (INaMu). Argentina. [forthcoming].
Investigación-creación transdisciplinar. Cuando la música está integrada a …todo lo demás. Sonic Ideas/Ideas Sónicas journal, year 10 no. 19. Centro Mexicano para la Música y las Artes Sonoras (CMMAS) [ISSN 2317-9694]. Mexico. October, 2017. http://sonicideas.org/index.php?vol=10&num=19
Investigación-Creación: Arte y Ciencia, Política y Economía (…o la permanente búsqueda por eludir al Sistema). Book chapter in “Creación musical, investigación y producción académica: desafíos para la música en la universidad” [compiled by Daniel Quaranta], pp. 55-86. Centro Mexicano para la Música y las Artes Sonoras (CMMAS) [ISBN: 978-85-5512-310-8]. Mexico. October, 2017. https://cmmas.org/store.php?lan=es&accion=viewDetail&id=2043
Interacciones Electro[±]Acústicas (Entre la composición, la improvisación y la comprovisación) - versión 2015, revisada y actualizada. Updated and revised 2015 version. In Sonic Ideas/Ideas Sónicas journal, year 9 no. 18. Centro Mexicano para la Música y las Artes Sonoras (CMMAS) [ISSN 2317-9694]. Mexico. October, 2017. http://sonicideas.org/index.php?vol=9&num=18
A Transdisciplinary Approach to Research-Creation. (When Art is Part of… Everything Else). Proceedings of the 23rd Symposium on Electronic Arts - ISEA2017. Manizales, Colombia. June, 2017.
Was part of the media arts history swept under the carpet? (Latin America’s lost ark). Proceedings of the 23rd Symposium on Electronic Arts - ISEA2017. Manizales, Colombia. June, 2017.
Space-time (dis)placement [(Des)locamento Espaço-Tempo]. Curatorial text for the Immersphere fulldome festival and exhibition. Brasilia, Brazil. May, 2017. http://immersphere.com.br/en/festival/curators/ricardo-dal-farra/
About the history of music and technology in Latin America. InterArtive, a platform for contemporary art and thought, Issue #90. Spain. December, 2016. http://interartive.org/2016/06/art-new-media-latin-america-call/
Memory’s death… or the desire of immortality. Proceedings of the 5th Computer Art Congress, CAC5. Paris, France. October, 2016.
From the other side: About the history of e-art in Latin America. Book chapter in: Mutações, Confluências e Experimentações na Arte e Tecnologia, edited by S. Venturelli and C. Rocha, published by PPG-ARTE/UNB; and Proceedings of the 15° Encontro Internacional de Arte e Tecnologia (#15.ART): arte, ação e participação. Brasilia, Brazil. October, 2016. https://art.medialab.ufg.br/p/10112-presentation
Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story). Alternative Histories of Electronic Music, international conference. The Science Museum Research Centre, London. England. 2016. https://ahem2016.wordpress.com
Arte sonoro y acciones humanitarias. Espacios Sonoros 2016: La ciudad como lugar de experimentación, creación e investigación plurisensorial. Publisher: Universidad Autónoma de Madrid. [ISBN: 978-84-617-9814-8]. Spain. 2017. http://espaciossonoros2016.blogspot.ca
Repensando la Holocubierta. Artmedia 15. Universidad Maimónides. Argentina. 2015.
Brisser les paradigms: arts électroniques et actions humanitaires. Circuit, musiques contemporaines. Vol. 25, No. 2, 9-20. Canada: Les Presses de l'Université de Montréal. 2015.
http://www.revuecircuit.ca
Breaking Paradigms: Electronic Arts & Humanitarian Actions. International Symposium on Electronic Arts - ISEA2015 conference. Canada. 2015. http://isea2015.org/proceeding/submissions/ISEA2015_submission_11.pdf
Arte, Ciencia y Tecnología como un Ensemble Resonante de Acciones Ambientales Responsables. Book chapter, in: Ecología desde el Arte Digital. Caldas University, Colombia and Telefónica Foundation. Publisher: Ariel [ISBN: 978-980-271-546-6]. Venezuela. 2015.
http://www.fundaciontelefonica.com/arte_cultura/publicaciones-listado/pagina-item-publicaciones/itempubli/332/
Humid Balance. In Water Views: Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14 e-book (pgs. 384-387) Editor: Suzon Fuks. Igneous Incorporated [ISBN: 978-0-9925610-0-0]. Australia. 2015.
http://water-wheel.net/resource_files/3wds14ebook.pdf
Breaking Paradigms: Electronic Arts & Humanitarian Actions. Balance-Unbalance 2015 international conference at Arizona State University, Tempe. United States, 2015.
http://www.balance-unbalance2015.org/?page_id=228
Balance-Unbalance: art and environmental crisis. Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 47, No. 5. The MIT Press. United States. 2014. https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00815
Red Cross / Red Crescent Climate Centre and Balance-Unbalance: the Art! ⋈ Climate Project (co-authored with Dr. Pablo Suarez). Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 47, No. 5. The MIT Press. United States. 2014. https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00818
Computer art –for all– in times of global crisis? Proceedings of the 4th Computer Art Congress, CAC4, Brazil. September, 2014. http://cac4.eba.ufrj.br
Transformational Art-Science Actions in Times of Global Crisis [submitted – ARTEM Research Alliance, France]. 2014.
About precarity and musical thinking (contribution; thematic: ‘precarity’ - collective writing). To be integrated in Inflexions: A Journal for Research Creation. SenseLab. Concordia University. Canada. 2014.
El archivo de música electroacústica latinoamericana… 10 años después. Artnodes - Journal on Art, Science and Technology. No 13 (2013) Universitat Oberta de Catalunya - UOC [ISSN 1695-5951 - https://doi.org/10.7238/a.v0i13.2000]. Spain. 2014.
http://journals.uoc.edu/ojs/index.php/artnodes/article/download/n13-dal-farra/n13-dal-farra-es
Balance-Unbalance and our daily uncertainty. Can the Arts Help to Save the World? Proceedings of the Balance-Unbalance international conference 2013 at Noosa, UNESCO’s designated biosphere. Australia. 2013.
http://www.balance-unbalance2013.org/uploads/1/3/2/6/13266267/balance-unbalance_full_papers_final.pdf
Can the Arts Help to Save the World? Leonardo - Journal of the International Society for the Arts, Sciences and Technology [guest editorial]. Vol. 46, No. 2, 110. United States: The MIT Press. 2013.
https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_e_00524
Concerning Ideas and Facts. Sonic Ideas/Ideas Sónicas Journal (bilingual isue on: New Music and Education). Centro Mexicano para la Música y las Artes Sonoras (CMMAS). Mexico. 2013.
http://www.sonicideas.org/info.php?vol=5&num=9&secc=notes
Balance-Unbalance and our daily uncertainty. Mutamorphosis conference 2012. Prague, Czeck Republic.
Interacciones Electro[±]Acústicas (Entre la composición, la improvisación y la comprovisación). En el límite, escritos sobre arte y tecnología. Universidad Nacional de Lanús. Ediciones UNLa [ISSN 2250-6136]. Argentina. 2011. http://www.unla.edu.ar/public/en_el_Limite/index.php?cual=1
Acerca del CMMAS. Lustro 01. CMMAS 2006-2011. Centro Mexicano para la Música y las Artes Sonoras [ISBN 978 8201-05-1]. Morelia, Mexico. 2011.
Posibles Infinitos. Essay included in the catalog of Víctor Magariños D. Exhibition: Presencias Reales. MUNTREF museum. Argentina. 2011.
Diseñando el Holodeck. Ideas Sónicas/Sonic Ideas, Vol. 3 No. 1. Centro Mexicano para la Música y las Artes Sonoras [ISSN 2317-9694]. Morelia, Mexico. 2010.
http://www.sonicideas.org
Re-thinking the gap. Electroacoustic music in the age of virtual networking. Proceedings of the Electroacoustic Music Studies Network – EMS09 international conference. Argentina. 2009.
http://www.ceiarteuntref.edu.ar/dalfarra
http://www.ems-network.org/ems09/papers/dal_farra.pdf
Alternative models for research/creation in the digital world. Between interdisciplinary artistic experimentation, new educational paradigms and technology-based cultural industries. Published in the book: Society of Information and Communication. Emerging Technologies and their Applications in Society and Arts. Proceedings of the Second Czeck-Argentine “e-Golems” (ISBN 978-987-25203-0-4). Argentina. 2009.
The Southern tip of the electroacoustic tradition. Circuit, musiques contemporaines. Vol. 17, No. 2, 65-72. Montreal: Les Presses de l'Université de Montréal. 2007.
http://www.erudit.org/revue/circuit/2007/v17/n2/016840ar.pdf
Something lost, something hidden, something found: electroacoustic music by Latin American composers. Organised Sound Vol. 11 No. 2, 131-142. UK: Cambridge University Press. 2006.
Recent Actions to Preserve, Document and Disseminate Fifty Years of Latin American Electroacoustic Music. Leonardo Electronic Almanac, special issue: Research Our Origins. United States. 2005.
50 años de arte y tecnología en América Latina. Arte & Media symposium, Primer Encuentro Iberoamericano de Nuevas Tendencias en Arte y Tecnología. Spain. 2005.
Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers. International Computer Music Conference. United States. 2004.
Educación a través de la comunicación multimedial como propuesta de cambio para la comunidad. VI Jornadas de Artes y Medios Digitales. Simposio: Prácticas de Comunicación Emergentes en la Cultura Digital. Córdoba, Argentina. 2004.
Latin American Electroacoustic Music Collection. The Daniel Langlois Foundation for Art, Science and Technology. Canada. 2004.
English version: https://www.fondation-langlois.org/pdf/e/Dal_Farra_EN.pdf
French version: https://www.fondation-langlois.org/pdf/f/Dal_Farra_FR.pdf
Spanish version: https://www.fondation-langlois.org/pdf/e/Dal_Farra_ES.pdf
Sound of the spheres, music of space. Text for an exhibition of Marc Fournel's Tontauben interactive project at Oboro art center. Montreal, Canada. 2004.
An electroacoustic music collection project (or how to open the cage and let them fly). Commissioned article, fineArt forum (fAf), vol. 17 issue 4. Australia. 2003.
REDI, on line educational resources for the development of professional multimedia skills. World Conference on E-Learning in Corporate, Government, Health, & Higher Education. Vol. 2002 (1). Canada. 2002.
Multimedia Communication - A National Program for High Schools to Develop Professional Multimedia Skills. World Conference on Educational Multimedia, Hypermedia and Telecommunications, Vol. 1999, No. 1. United States. 1999.
Una Propuesta Educativa Integradora: Producción Musical. Boletín de Investigación Educativo-Musical. Argentina. 1998.
Music, New Technologies and Latin America. Proceedings of IV Simpósio Brasileiro de Computação e Música. Brasilia, Brazil.1997.
A Southerner's Perspective, Computer Music Journal Vol. 20 Number 3. United States, 1996.
Electroacoustic and computer music in Latin America. Proceedings of the 1996 International Computer Music Conference. Hong-Kong. 1996.
An Integral Educational Project: Musical Production. Proceedings of I Simpósio Brasileiro de Computação e Música. Brazil. 1994.
Some comments about electroacoustic music (and life) in Latin America. Leonardo Music Journal Vol. 4. United States. 1994.
Un Proyecto Educativo Integrador: Producción Musical. Proceedings of VI Tribuna de Música de América Latina y el Caribe – Trimalca. Argentina. 1993.
Una visita al Center for Computer Research in Music and Acoustics. Musica journal. Sao Paulo University. Brazil. 1993.
An interview with David Jaffe. Journal of New Music Research, Vol. 22 No. 4. The Netherlands, 1993.
More than 90 articles on media arts, music and technology, published on periodicals of Argentina.
Abstracts (partial list):
Arte, Educación, y Tecnologías Emergentes. The International Society for Education Through Art. Congreso Regional InSEA - “Grietas y Provocaciones”. Cusco, Peru. November, 2021. https://inseacusco.org/es/inicio/
Investigación-Creación y Transdisciplina. Nuevas soluciones a viejos problemas. The International Society for Education Through Art. Congreso Regional InSEA - “Grietas y Provocaciones”. Cusco, Peru. November, 2021. https://inseacusco.org/es/inicio/
Collective experiences of extended reality: The Understanding Visual Music - UVM project. RIXC Art Science Festival 2021: PostSENSORIUM. RIXC Center for New Media Culture. Riga, Latvia. September, 2021. https://festival2021.rixc.org
Memory’s death… or the desire of immortality. International Symposium of Electronic Arts - ISEA2022. Spain. 2021. https://isea2022.isea-international.org
Balance-Unbalance. Ecology and Citizenship. International Symposium of Electronic Arts - ISEA2022. Spain. 2021. https://isea2022.isea-international.org
On the History of Electronic Art in Latin America. II Congresso Internacional em Humanidades Digitais - HDRio2020. UNIRIO. Brazil. 2020. https://hdrio2020.org.br
La educación de las artes electrónicas en América Latina [co-authored with Marina Vila and Piren. Benavidez]. Congreso Internacional IDEA 18 - Investigación, Diseño, Educación y Artes. Universidad de Cuenca. Ecuador. 2018.
Balance-Unbalance (e-arts meets the actual world). International Symposium of Electronic Arts - ISEA2018. South Africa. 2018.
Changing Climate through Electronic Arts. Electronic Visualisation & the Arts (EVA) network. Politics of the Machine - Art and After. Denmark. 2018.
Transdisciplinary collaboration. Experiences in education, research, and creation. I Congresso Internacional em Humanidades Digitais - HDRio2018. Brazil. 2018.
Quem conta a história? Coleção de música eletroacústica latino-americana. I Congresso Internacional em Humanidades Digitais - HDRio2018. Brazil. 2018
Transdisciplinary thinking and actions: contributing effective solutions to sustainability challenges. Sustainability Across Disciplines Conference. Concordia University. Canada. 2017.
Making of Transdiscipline not a buzzword but a living experience. Sustainability Across Disciplines Conference. Graduate Interdisciplinary Humanities Conference. Concordia University. Canada. 2017.
When the integration of music, science and technology is the usual teaching-learning way and not the exception. Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology conference. McGill University. Canada. 2015.
Imaginary Concerts. In Water Views: Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14 e-book (pgs. 521-523) Editor: Suzon Fuks. Igneous Incorporated [ISBN: 978-0-9925610-0-0]. Australia. 2015.
http://water-wheel.net/resource_files/3wds14ebook.pdf
Can the Arts Help to Save the World? Balance-Unbalance and the ‘art! ⋈ climate’ projects.
4S / ESOCITE 2014 - Society for Social Studies of Science and Sociedad Latinoamericana de Estudios Sociales de la Ciencia y la Tecnología. Argentina, 2014.
http://4sonline.org/files/program_abstracts.pdf
[e]arts for humanitarian actions? the “Art! ⋈ Climate” initiative. ISEA2013. Australia, 2013.
Learning from and acting within uncertainty. Proceedings of the Balance-Unbalance international conference. Australia, 2013.
http://www.balance-unbalance2013.org/uploads/1/3/2/6/13266267/balance-unbalance_proceedings_abstracts.pdf
Magic, real and virtual realities. VSMM 2003, Ninth International Conference on Virtual Systems and Multimedia. Canada, 2003.
Estética y tecnología. Procesos colaborativos e interrelaciones entre arte, ciencia, nuevas tecnologías y educación. Sonoimágenes Festival and Symposium. National University of Lanús. Argentina, 2002.
Less is more. Developing on line collaborative environments. World Conference on E-Learning in Corporate, Government, Health, & Higher Education. Canada. 2002.
Multimedia Professional Family. Feedback paths between education and work through interdisciplinary collaboration and convergence. Bridges II, The Banff Centre. Canada. 2002.
Collaboration between art, science and new technologies in Latin America: the electroacoustic music bridge. Bridges II, The Banff Centre. Canada. 2002.
Technology and Art in Latin America: … learning to cook or just to smell? (looking for the integration of art + science + technology on education curricula). Emoçao Art.ficial Symposium. Itaú Cultural. Brazil. 2002.
The ‘redi’ project. On-line educational resources for the development of professional multimedia skills. World Conference on Educational Multimedia, Hypermedia and Telecommunications. Vol. 2001, No. 1. United States. 2001.
Ressources en ligne "redi" pour le développement des compétences professionnelles multimedia. 10th International Symposium on Electronic Arts - ISEA2000. France. 2000.
Multimedia Communication. Invençao, Thinking the New Millenium international symposium. Itaú Cultural. Brazil. 1999.
Aproximación a la Estética Digital. IUNA - Instituto Universitario Nacional del Arte. Argentina. 1998.
Music, New Media and Latin America. Proceedings of the 1997 International Symposium on Electronic Arts, ISEA 1997. Chicago, United States. 1997.
Interviews (partial list):
Interview to Cristian Reynaga [video] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. [forthcoming].
Interview to Gimena del Rio Riande [text] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE), Universidad Nacional de Tres de Febrero. Argentina. September, 2021. https://ceiarteuntref.edu.ar/2021/09/gimena-del-rio-riande
Interview to Iliana Hernández [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. September, 2020. https://ceiarteuntref.edu.ar/iliana_hernandez
Interview to alcides lanza [video] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. August, 2020.
https://www.ceiarteuntref.edu.ar/lanza_alcides
Interview to Eugenio Tisselli [video] Mexico. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. August, 2020. https://www.ceiarteuntref.edu.ar/eugenio_tiselli
Interview to Rosendo Merel [video] Panama. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. April, 2020. http://ceiarteuntref.edu.ar/rosendo_merel
Interview to Don Ritter [video] Canada. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. April, 2020. http://ceiarteuntref.edu.ar/don_ritter
Interview to Patricia Martinez [video] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2020. http://www.ceiarteuntref.edu.ar/patricia_martinez
Interview to Hanna Pajala Assefa [video] Finland. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2020. http://ceiarteuntref.edu.ar/hanna_pajala-assefa
Interview to Teresa Núñez Daumy [video] Cuba. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2020. http://ceiarteuntref.edu.ar/teresa_nunez
Interview to Ana Berta Carrizo from Estudio Nuboso [video] Panama. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. December, 2019. http://www.ceiarteuntref.edu.ar/ana_carrizo
Interview to Catalina Peralta [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. October, 2019. http://ceiarteuntref.edu.ar/catalina_peralta
Interview to Mario Duarte [video] Mexico. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. October, 2019.
http://ceiarteuntref.edu.ar/duarte_mario
Interview to Gabriel Vanegas [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. August, 2019. http://www.ceiarteuntref.edu.ar/gabriel_vanegas
Interview to Luciana Fleischman [video] Argentina/Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. August, 2019. http://www.ceiarteuntref.edu.ar/luciana_fleischman
Interview to Marcelo Carneiro [video] Brazil. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. July 2019.
http://www.ceiarteuntref.edu.ar/marcelo_carneiro
Interview to Rodrigo Sigal [video] Mexico. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. July, 2019.
http://www.ceiarteuntref.edu.ar/rodrigo_sigal
Interview to Enmanuel Blanco [video] Cuba. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. July, 2019.
http://www.ceiarteuntref.edu.ar/enmanuel_blanco
Interview to Milton Raggi [video] Cuba. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. July, 2019.
http://www.ceiarteuntref.edu.ar/milton_raggi
Interview to Carlos Beltran [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. April, 2019.
http://www.ceiarteuntref.edu.ar/Beltran_Carlos
Interview to Andrés Posada [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2019. http://www.ceiarteuntref.edu.ar/Posada_Andres
Interview to Camilo Cantor [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. November, 2018. http://www.ceiarteuntref.edu.ar/Cantor
Interview to Mariana Martinez and Elizabeth Guerrero - Cascoland [video] Mexico. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. September, 2018. http://www.ceiarteuntref.edu.ar/Balvanera_Medina
Interview to Richard Lowenberg [video] United States. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. September, 2018. http://www.ceiarteuntref.edu.ar/Lowenberg
Interview to Roel Schoenmakers - Cascoland [video] The Netherlands. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. September, 2018. http://www.ceiarteuntref.edu.ar/Schoenmakers
Interview to Héctor Fabio Torres [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nac. de Tres de Febrero. Argentina. August, 2018.
http://www.ceiarteuntref.edu.ar/Torres
Interview to Rodrigo Cicchelli Velloso [video] Brazil. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nac. de Tres de Febrero. Argentina. August, 2018.
http://www.ceiarteuntref.edu.ar/Cicchelli_Velloso
Interview to Mariano Ramis [video] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. Agosto, 2018. https://ceiarteuntref.edu.ar/Ramis
Interview to Ralph Heinsohn [video] Germany. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. June, 2018.
http://www.ceiarteuntref.edu.ar/Heinsohn
Interview to Micky Remman [video] Germany. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. June, 2018.
http://www.ceiarteuntref.edu.ar/Remann
Interview to Sven Meyer [video] Germany. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. June, 2018.
http://www.ceiarteuntref.edu.ar/Meyer
Interview to Mario Valencia [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. June, 2018.
http://www.ceiarteuntref.edu.ar/Valencia
Interview to Roger Malina [video] United States. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. May, 2018.
http://www.ceiarteuntref.edu.ar/Malina
Interview to Juan José Díaz Infante [video] Mexico. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. May, 2018. http://www.ceiarteuntref.edu.ar/Diaz_Infante
Interview to Andrés Burbano [video] Colombia. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. May, 2018.
http://www.ceiarteuntref.edu.ar/Burbano
Interview to João Silveira [video] Brazil. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. April, 2018.
http://www.ceiarteuntref.edu.ar/Silveira
Interview to Francisco Colasanto [video] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2018. http://www.ceiarteuntref.edu.ar/entrevista_Colasanto
Interview to Miguel Bellusci [video] Argentina. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2018. http://www.ceiarteuntref.edu.ar/Bellusci
Interview to Ana Rewakowicz [video] Poland. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. March, 2018. http://www.ceiarteuntref.edu.ar/entrevista_rewakowicz
Interview to Ariel Wilner. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. February, 2018.
http://ceiarteuntref.edu.ar/Ariel_Wilner
Interview to Fernanda D’Agostino. Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2014.
http://www.ceiarteuntref.edu.ar/dagostino
Interview to Jocy de Oliveira. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2014.
http://ceiarteuntref.edu.ar/entrevista15
Interview to Leigh Landy. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2014.
http://ceiarteuntref.edu.ar/entrevista14
Interview to Andreia Oliveira. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2012. http://www.ceiarteuntref.edu.ar/entrevista13
Interview to David Rothenberg. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2011. http://www.ceiarteuntref.edu.ar/entrevista12
Interview to Mariela Yeregui. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2011. http://www.ceiarteuntref.edu.ar/entrevista11
Interview to Garth Paine. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2010. http://www.ceiarteuntref.edu.ar/entrevista10
Interview to Joel Chadabe. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2009. http://www.ceiarteuntref.edu.ar/?q=entrevista09
Interview to César Bolaños. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2009. http://www.ceiarteuntref.edu.ar/?q=entrevista08
Interview to José Manuel Berenguer. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2009. http://www.ceiarteuntref.edu.ar/?q=entrevista07
Interview to Rosemary Mountain. Published online by Centro de Experimentación e Investigación en Artes Electrónicas (CEIArtE) Universidad Nacional de Tres de Febrero. Argentina. 2008. http://www.ceiarteuntref.edu.ar/?q=entrevista06
Publications including references to the work of Ricardo Dal Farra (partial list):
Perissinotto, Paula (2021) editor. FILEALIVE / ARQUIVO VIVO: Online meetings. White Paper. Book. Edited by Paula Perissinotto. Sao Paulo: FILE - International Electronic Language Festival. Brazil. https://alive.file.org.br
Variego, Jorge (2018) author. Composición algorítmica. Matemáticas y ciencias de la computación en la creación musical. Book. Interview to Ricardo Dal Farra on algorithmic composition (pags 130-136). Universidad Nacional de Quimes. Argentina. http://editorial.blog.unq.edu.ar/2018/05/29/jorge-variego-presenta-composicion-algoritmica/
Mondolo, Ana María et al (2004). Diccionario de la Música Española e Hispanoamericana.
Sociedad General de Autores y Editores. Spain.
Ficher, Miguel, Furman Schleifer, Martha, and Furman, John [editors] (2002). Latin American Classical Composers. A biographical Dictionary. Scarecrow Press. United States.
Axel Roldán, Waldemar (1996). Diccionario de Música y Músicos. [ISBN 950-02-6345-9] El Ateneo. Argentina.
4. CREATIVE OUTPUTS
Music recordings published (partial list):
Accompanying CD/DVD: Ecología desde el Arte Digital [forthcoming - Caldas University, Colombia and Telefónica Foundation, Venezuela].
Red de Arte Sonoro Latinoamericano - RedASLA Vol. 5 - CMMAS, Mexico. 2018.
Ensamble Experimental Latinoamericano - Fondo de la Música del Consejo Nacional de la Cultura y las Artes, Chile. 2016.
Red de Arte Sonoro Latinoamericano - RedASLA Vol. 4 - CMMAS, Mexico. 2015.
Parte de la Historia. Vol. III. Centro Mexicano para la Música y las Artes Sonoras - CMMAS. Mexico. 2014.
Accompanying DVD: Los instrumentos musicales autóctonos de América Latina (Native Latin American Musical Instruments) by Frega, Ana Lucía and Luraschi, Graciela María [ISBN 987-987-1256-89-1] Argentina. 2011.
REC. memorias en tiempo real (Memorias del Festival “en tiempo real. nuevos encuentros sonoros 2009”). Fundación Espacio Cero. Bogota, Colombia. 2010.
North and South project. Elektron Records. Sweden. 2009.
Leonardo Music Journal Vol. 15. Leonardo/ISAST. International Society for the Arts, Sciences and Technology. The MIT Press. United States. 2005.
Memoria del Primer Festival de Música Electroacústica - Música para un Nuevo Siglo. Cuenca, Ecuador. 2005.
Bonk. Bonk Festival of New Music, United States. 2004.
Computer Music Journal Vol. 23. The MIT Press. United States. 2000.
Bonk Thy Neighbor. Bonk Festival of New Music, United States. 1999.
Travels of the Spider. Pogus, United States. 1998.
Desde el otro lado. O.O.Discs, United States. 1998.
VOYS. A journal exploring sign in sound. United States. 1997.
The Frog Peak Collaborations Project. Frog Peak Music. United States. 1997.
International Computer Music Association. ICMA - Commission Awards 1994-96. Computer Music Series Volume 25, CDCM - Centaur Records. United States. 1997.
Panorama de la Música Argentina - Compositores nacidos entre 1957-1958. National Endowment for the Arts. Argentina. 1995.
The Aerial #6. Nonsequitur/What Next? United States. 1994.
Leonardo Music Journal Vol. 4. International Society for the Arts, Sciences and Technology (ISAST), United States. 1994.
Contemporary Music Review - Live Electronics. UK. 1991.
Música Argentina del Siglo XX - Arturo Gervasoni. Circe, Argentina. 1989.
Música Contemporánea Argentina. Argentina Music Council. Argentina. 1988.
Música Electroacústica en Tiempo Real - Ricardo Dal Farra. IRCO - Cosentino Producciones. Argentina. 1987.
Concerts (partial list):
Argentina: La Hora Acusmática - 5th virtual concert (Organic, visual-music), National University of Cordoba and Provincial University of Cordoba, December 10, 2021. Understanding Visual Music - UVM 2021 / Noviembre Electrónico festival, Planetarium of Buenos Aires and Cultural San Martin, Buenos Aires, November 25, 2021 (Espectros Computacionais_fulldome, with Luiza H. Guimarães and Randolpho de Santana Julião, virtual fulldome version). 49th Festival Internacional Encuentros 2017, Universidad Nacional de las Artes, July 31, 2017 (monographic concert with: Integrados, Tierra y Sol, Ashram and Organic). Museo de Arte Contemporáneo del Sur - MACSUR, October 29, 2016. Noviembre Electrónico international festival (and the ‘Understanding Visual Music-UVM’ concert series) at San Martin Cultural Centre, November 7, 2015. Equilibrio-Desequilibrio - Posthumanidad y Medio Ambiente at National University of Lomas de Zamora, 2014. Equilibrio-Desequilibrio. Conocimiento-Acción en Tiempos de Incertidumbre exhibition at Centro Cultural San Martin, 2012. Electroacoustic Music Studies Network (EMS) 2009. Ejercicios de Memoria, media arts exhibition, 2006. UNTREF Electrónico, 2003. Concert series EIMC 2002, at Museo Nacional de Bellas Artes. Sonoimágenes 2001 and 2002, hosted by the National University of Lanús. IV Simposio de Computación, Música e Imagen in Córdoba. Latinamerican Museum of Contemporary Art in La Plata. Asociación Cultural Pestalozzi. City University of Córdoba. South's Cultural Center, Buenos Aires. Juan Victoria Auditorium at the National University of San Juan. Concert series at Teatro Nacional Cervantes, Buenos Aires. National Conservatory of Music. Symposium and Festival Por la Música en las Américas, Buenos Aires. Concert series at Teatro Colón of Buenos Aires. Congreso Argentino de la Música 1986. Continuing Education Auditorium of the Buenos Aires City Culture Secretary. II, III, IV, VI, VII, VIII, IX, X, XI, XII, XIII, XIV and XV Semana Nacional de los Medios y la Música Electroacústica.
Australia: World Science Festival - Griffith University (Between my sky and your water). March 24-26, 2017, Brisbane - http://www.100waystolisten.com/sonic-environments-performance.html. Balance-Unbalance 2013, CQU-Noosa, 2013. Live Wires, University of Sydney, 1997.
Austria: Electroacoustic Music Marathon.
Bolivia: Jornadas Virtuales de Música Contemporánea 2021 (Organic, visual-music, stereo version), Asociación Boliviana de Autores Investigadores Compositores Artistas y Músicos (ABAICAM), September 23, 2021 - https://www.facebook.com/Abaicam. Festival Boliviano de Música Contemporánea, 2001. III Festival Boliviano de Música Contemporánea, 1994. Puraduralubia, 1994. Jornadas Musicales de Invierno 1990.
Brazil: Arte+Ciência 2020 - O Cérebro e o Imaginârio, Centro Cultural Museu da Justicia and Organização Ciências e Cognição (electroacoustic multichannel music: Uma viagem por tua mente), March 16 to April 28, 2020, Rio de Janeiro - http://www.cienciasecognicao.org/ac/. Art Sonica, Centro Cultural Oi Futuro (electroacoustic multichannel music: Uma viagem por tua mente), August 5 to September 14, 2019, Rio de Janeiro. Exposição de arte computacional EmMeio#8.0 at Museu Nacional da República - Esplanada dos Ministérios, Brasilia, October 3-30, 2016. ‘Compositores de Hoje’ international festival, Rio de Janeiro, November 4, 2015. Understanding Visual Music - UVM conference, Brasilia, 2015. XII Encontro Nacional de Compositores, Sao Paulo 2014. VII BIMESP, 2008. II Encontro de Musica Eletroacustica, 1997. 1a. Bienal Internacional de Música Electroacústica de São Paulo 1996. Open-Air Concerts in Brasilia, 1994. II and IV Brazilian Symposium on Computer Music. XX Bienal Internacional de Artes de Sao Paulo, 1989.
Canada: La Grande Nuit - Festival Montréal/Nouvelles Musiques, Hexagram-UQAM, Montreal, February 28, 2021 (Listening, binaural version). La Grande Nuit: Voix/Immersion, Hexagram-UQAM 32 speakers 3D audio dome, Montreal, February 29, 2020 (Tierra y Sol). The 21st Century Guitar conference, University of Ottawa, August 22-25, 2019 (Integrados; Double; Clones; EGT) https://21cguitar.com. La Grande Nuit, Montréal / Nouvelles Musiques, Société de musique contemporaine du Québec, Hexagram-UQAM 32 speakers 3D audio dome, March 2 of 2019 (Sense - 2019 version). Opening concert of the Hexagram-UQAM 32 speakers 3D audio dome, February 28 of 2018 (Organic - 32 ch. version). Canada-China International Film Festival - CCIFF 2017, September 25 (Decoding Reality), BlackBox Concordia, Montreal. Canada-China International Film Festival - CCIFF 2016, October 17 (Organic - 2 ch. version), BlackBox Concordia, Montreal. Mateca Arts Festival, Toronto, 2014. WaterWheel World Water Day Symposium 2014 (live streaming concert, from Montreal). Hexagram Black-Box, Concordia University, 2013 (Flesh Waves). Balance-Unbalance 2011, Montreal 2011. EuCue Concert Series, Montreal, 2009. Send+Receive Festival, Winnipeg, 2004. Rien à Voir concert series, Montreal, 2003. GEMS 2003 concert series (Group of the Electronic Music Studio - McGill University). Bridges II audiovisual installation at The Banff Centre, 2002. Human Voice/Computer Vox at The Banff Centre, 2001. EuCuE Concert Series XVI, Concordia University, Montreal. Eurakousma electroacoustic music concert at Université de Montreal, 1997. EuCuE Concert Series XV, Concordia University, Montreal, 1996. Concert series Hear and Now, Concordia University, Montreal, 1988. Concert series Spectra, Concordia University, Montreal, 1987.
Chile: Parque Cultural de Valparaiso, Nuevas Músicas Latinoamericanas - CEMLA performimg Tierra y Sol, January 19, 2017. Segundo Festival de Música Electroacústica UC 2016, April 8-10 at Pontificia Universidad Católica de Chile. Universidad de Valparaíso, Ensamble Experimental Latinoamericano, 2014. North-South concert, 2008. ARCIS University, 2008. III Ciclo Internacional de Música Electroacústica, 2003. II and III Encuentro de Música Contemporánea, 1987 and 1989.
Colombia: 6th Festival Internacional de Música CiMa, Manizales (Entre mi cielo y tu agua [visual-music version] and Tierra y Sol), October 14, 2021. Festival Internacional de la Imagen 2021, Manizales (Listening, acousmatic - binaural version), May 24-28, 2021. 5th Festival Internacional de Música CiMa (Ahsram. Sax: Agustín Castro [2020 version]), October 14, 2020. Festival Internacional de la Imagen 2020, Manizales (Homotecia. Flute: Yovanny Betancur), June 17, 2020. 4th Festival Internacional de Música CiMa (works: Ashram [fixed-media version], and Organic stereo version), Manizales, September 2, 2019. Festival Internacional de la Imagen 2019, Manizales (Sense), June 14, 2019. International Symposium on Electronic Arts - ISEA2017, Manizales, June 15, 2017. Balance-Unbalance 2016, May 2016. Festival Internacional de la Imagen 2009-2012-2013-2014-2016, Manizales. Festival En Tiempo Real 2009. Museo Nacional de Colombia, Bogotá 2009. Jornadas de Música Electrónica 1990. Música Experimental Electroacústica-1992. II Ciclo Acusmático-1995.
Cuba: Casa de las Americas, Sala Che Guevara (Ashram and Organic), April 10, 2019; Casa de las Américas, concert series 2007; International Computer Music Conference - ICMC 2001 in La Habana. Temporada de Conciertos 1999 in La Habana. III (1987) and IV (1989) Encuentro Internacional de Música Electroacústica in Varadero.
Czech Republic: Electroacoustic Music Concert Series in Brno.
Ecuador: I Festival de Música Electroacústica de Cuenca, 2004. VIII Festival Ecuatoriano de Música Contemporánea, 2002. I and II Festival Latinoamericano de Compositores.
El Salvador: II and VII Festival de Música Contemporánea de El Salvador, 1997 and 2004.
Estonia: NYYD 92.
France: Computer Art Congress - CAC5 (visual-music: Organic), October 27 of 2016, Paris. International Symposium on Electronic Arts - ISEA2000, Forum des Images, Paris. UNESCO - 2000, Paris. Cycle de Concerts de Musique par Ordinateur - 2000, Paris VIII University. XVII and XX Festival International de Musique Expérimentale in Bourges.
Germany: Electroacoustic Music Concert, Weimar. Neue Musik in Lüneburg. Mediale Festival For Media Art - Virtual Reality Project.
Greece: Symposium on Music and Computers, Ionian University, 1998.
Hong-Kong: International Computer Music Conference 1996. World Music Days - International Society for Contemporary Music 1988.
Italy: Paesaggi Sonori, Audior Acusmonium at Novara, May 8, 2018. Trieste NEXT, international conference, September 16, 2017: Helios at Rock&Light n. 2, Cava del Villaggio del Pescatore, and September 21, 2017: Agua de Cielo at Auditorium del Museo Revoltella, both works with Manolo Esqueda. Musica Scienza 2000. Manifestazione Internazionale di Musica, Arte, e Cultura Contemporanea in Roma, CRM - Centro Ricerche Musicali, 2000. Concerti alla Università della Musica in Roma, 1999. Computer Art Festival at Padova, 1997. VII, VIII and IX Colloquio di Informatica Musicale in Roma, Cagliari and Genova.
Korea: Computer Music Festival in Seoul, 1997.
Mexico: Visiones Sonoras 17 - International Festival of Music and New Technologies (Memorias), September 22, 2021 - https://en.cmmas.com/vs17-concierto-concordia. Tercer Coloquio Internacional sobre Espacialidad e Inmersividad: Aproximaciones científico-estético-tecnológicas (electroacoustic music: Uma Viagem por Tua Mente), December 9, 2020, Mexico City. XV Festival Visiones Sonoras, CMMAS (electroacoustic music: EGT) September 28, 2019, Morelia. Communicating Vessels concert at Mexican Centre for Music and Sound Art - CMMAS (electroacoustic music: Karma and Sense) August 8, 2019, Morelia. Primer Coloquio Internacional sobre Espacialidad e Inmersividad: Aproximaciones científico-estético-tecnológicas (electroacoustic music: Sense; visual-music: Organic), November 16-17, 2018, Mexico City. XIV Festival Visiones Sonoras, CMMAS, Morelia, 2018. Centro de Cultura Digital, 2016. XI Festival Visiones Sonoras, CMMAS, Morelia, 2015. X Festival Visiones Sonoras, CMMAS, Morelia, 2014. IX Festival Visiones Sonoras, CMMAS, Morelia, 2013. Festival Internacional Cervantino, Nodus Ensemble, 2010. Colegio de Compositores Latinoamericanos de Música de Arte 2001, 2002, 2003 and 2005. El Callejón del Ruido, Guanajuato, 2003. Primer Encuentro Latinoamericano de Música, 1990. En Torno a los Sonidos Electrónicos 1988.
Monaco: Académie Rainier III - Monaco Electroacoustique / Rencontres Internationales de Musique Electroacoustique, 2015. Académie Rainier III - Monaco Electroacoustique, Rencontres Internationales de Musique Electroacoustique, 2013.
New Zealand: Australasian Computer Music Conference, Auckland, 2011. ACMA conference 1997, University of Auckland.
Norway: Aktuell Computermusikk, National Museum of Contemporary Art, Oslo.
Peru: Latin American Computer Music Forum – FLAMUC~ 2010. Festival de Música Electroacústica, Lima. 2004.
Portugal: Culture and Sustainability Symposium (Decoding Reality/Entre mi cielo y tu agua), November 29, 2020. Días de Música Electroacústica 25th festival, Casa Municipal das Artes - Conservatório de Música de Seia, January 10 of 2016.
Puerto Rico: I and II Muestra Internacional de Música Electroacústica, Río Piedras.
Scotland: Electronic Music concerts, Glasgow, 1999. Music in the University, University of Glasgow, 1996.
Spain: Panoramas EXP (Espectros Computacionais 360º / 3D + Uma Viagem por tua Mente, with L. Guimarães and R. Julião, version for a 270 degrees panorama, and Entre mi cielo y tu agua), Universität Politècnica de València, June 15-18, 2021. III International Conference Espacios Sonoros y Audiovisuales, Museo Nacional de Arte Reina Sofía, Madrid - March 3, 2016. Zeppelin 2009, Barcelona. Jornadas de Informática y Electrónica Musical 96 in Madrid. El Arte de la Cinta Magnética - 1994. XIII Xornadas de Música Contemporánea in Santiago de Compostela. XII Mediafest, International Festival of Digital Arts and Culture (w/Carlos Fadon), Gran Canaria,
Sweden: Visual Music Concert, March 31 of 2016, Hundraetan Theater, Örebro. Stockholmsfestivalen För ElektroAkustisk Musik XI 1989 in Stockholm. Symposium Structure and Perception of Electroacoustic Sound and Music in Lund. Elektronmusikfestivalen 1997 in Skinnskatteberg.
The Netherlands: International Audio Visueel Experimenteel Festival in Arnhem, 1991 & 1995.
Turkey: I International Festival of Contemporary Music, Izmir, 2003.
Ukraine: International Festival of Modern Art: Two Days and Two Nights of New Music, 2001.
United Kingdom: Birmingham Electroacoustic Sound Theatre - BEAST (Memorias), University of Birmingham, October 9, 2019. Noisefloor - Experimental Music and Moving Image Festival (“Organic”), Staffordshire University, Stoke-on-Trent, May 8th of 2018. SeeingSound 4, Bath Spa University, April 10 of 2016. Geography of electronic music from Latin America 2, at Putney Library, 2002. Euroacousma 1997.
United States: Foundation for Emerging Technologies and Arts (FETA), Harold Golen Gallery, Miami (Entre mi cielo y tu agua), October 30, 2016. 12 Nights of Music and Art - Experimental Music and Sound in the Americas, Feta Foundation and Harold Cohen Gallery, Jorge Variego: clarinet and electronics, Miami, October 2 of 2015. Balance-Unbalance international conference - Arizona State University, March 29 of 2015. Listen(n) symposium, Art Museum - Arizona State University, 2014. Digital Latin America at 516 Arts, Albuquerque, 2014. SLAM Festival, Seattle, 2008. Music for the Next Century Festival at Florida International University, Miami, 2004; The Green Umbrella - Los Angeles Philharmonic, Los Angeles, 2003. Orchestra + Technology Conference, American Composers Orchestra - New York, 2001. Music of the Americas Festival at Florida International University, Miami, 2001. Ought-One Festival, 2001. Electro-Acoustic Music Festival, Brooklyn College, 1999. Sonidos de las Américas 1998 Festival in New York. Electro-Acoustic Music at University of California - Davis, 1998. Bonk 97, 98, 99 and 2000 in Tampa, Sarasota and St. Petersburg. New Sounds of Electroacoustic Music - 1994 at Georgia State University. International Symposium on Electronic Arts -ISEA97 at the Museum of Contemporary Arts of Chicago. University of Illinois, 1997. 2nd Annual Santa Fe International Festival of Electro-Acoustic Music. Computer Music Concerts 1994 at Clark University. Tulsa Artists Coalition in Oklahoma. III Subtropics Music Festival in Miami. IV International New Music Festival at the University of San Diego. Arts Program of Kutztown, Pennsylvania. International Electroacoustic Music Festival in Baltimore. Music of the Americas Festival at California State University, San Bernardino. International Computer Music Conference 1989 at The Ohio State University. Composer-to-Composer in Telluride, Colorado, 1989. Lawton Arts and Humanities Council in Oklahoma. New Music America 1988 in Miami.
Uruguay: Festival Internacional de Música Contemporánea 1992 in Montevideo and Tacuarembó. Jornadas 1992 de Música Electroacústica.
Venezuela: XXI Festival Latinoamericano de Música (Entre mi cielo y tu agua, visual-music), November 6th, 2021 - https://festivallatinoamericanodemusica.org. XX Festival Latinoamericano de Música, May 29th of 2018 (Organic, visual-music). XIII Festival Latinoamericano de Música, 2004. XII Festival Latinoamericano de Música, 2002. IX Festival Latinoamericano de Música, 1995 (Mel18, live performance).
Activities as performer (live new media/electronics) in:
Argentina: CCK Cultural Center, with Argentina’s National Symphonic Orchestra and Youth National Choir. August 2016.
ICI Cultural Center (Instituto de Cooperación Iberoamericana). Premiere of Interacciones. First performance in Argentina of an interactive work using real-time digitally generated moving images & sounds. 1990.
Recoleta Cultural Center (many concerts during the 80s and 90s).
San Martin Cultural Center (concerts during the 80s).
Auditorium of the School of Laws, University of Buenos Aires. 1986.
Teatro Colón of Buenos Aires (several concerts during the 80s).
Auditorium of the Medical Center of Paraná. 1978.
Canada: ‘An improvisational collaboration’ concert with: Concordia Laptop Orchestra (CLOrk), Bradyworks, Doug van Nort and the Concordia Contemporary Ensemble. Montreal, February 13th, 2014.
Telematic concert ‘Hug the World’, live Internet performance with 20 cities around the world. 2012.
Puerto Rico: 1ra. Muestra Internacional de Música Electroacústica. Amphitheatre of the University of Puerto Rico in Río Piedras. 1992.
Sweden: Stockholmsfestivalen För ElektroAkustisk Musik IX. Royal Academy of Music. Stockholm. 1989.
United States: III Subtropics Music Festival. Centre Gallery - Miami Dade Community College. Miami. 1991.
Composer-to-Composer. Sheridan Opera House. Telluride, Colorado. 1989.
Festival New Music America. Center for the Fine Arts of Miami.1988.
Venezuela: IX Festival Latinoamericano de Música. Ateneo de Caracas. 1995.
Performing live (partial list) with:
Argentina: Symphonic Orchestra of Buenos Aires and National Youth Choir, symphonic concert hall of the CCK Cultural Centre (August 24 and 26, 2016); Philharmonic Orchestra of Buenos Aires; Mayo Orchestra; Arturo Gervasoni; and Grupo Encuentros.
Belgium: Leo Kupper.
Canada: CLOrk; Bradyworks; and Concordia Contemporary Ensemble.
Italy: Luigi Ceccarelli.
Korea: Jin Hi Kim.
Sweden: Mats Gustafsson; and Peter Söderberg.
United States: Joseph Celli.
Uruguay: León Biriotti.
Music for films and TV (partial list):
Nodes, short film by Agustina Isidori and Vjosana Shkruti for Milieux - Institute for New Media Arts, Digital Culture, and Information Technology - Concordia University. Canada, 2019.
Arden los juegos, film by Gustavo Mosquera, Argentina, 1985.
Buenos Aires, la tercera fundación, film by Clara Zapettini, Argentina, 1979.
La Cueva de las Manos, video by Nestor Panigazzi, Argentina.
Caos, video by Nestor Panigazzi, Argentina.
Music broadcasted (sample list):
Argelia: ENTV.
Argentina: Radio Nacional; Radio Municipalidad. Cablevisión. Argentina Televisora Color.
Australia: worldwide distributed TV series Beyond 2000.
Belgium: Belgische Radio en Televisie.
Brazil: Radio Cultura; Radio MEC (many times over the years).
Canada: CKLN, Toronto. CJSR, Edmonton. CFRO, Vancouver. Radio90, Banff. Radio-Canada, Montreal; “Acoustic Frontiers”, CKCU-FM, Ottawa (many times over the years).
Colombia: Radio Nacion