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Suzanne Anker
, currently based: New York, New York
Affiliated institution: School of Visual Arts

Archive of Digital Art (ADA). “Suzanne Anker – artist profile”. (retrieved 2015-02-11). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Suzanne Anker artist profile}, url = {}, urldate = {retrieved 2015-02-11}
Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, the Medizinhistorisches Museum der Charite in Berlin, the Center for Cultural Inquiry in Berlin, the Pera Museum in Istanbul and the Museum of Modern Art in Japan. Her books include The Molecular Gaze: Art in the Genetic Age, co-authored with the late sociologist Dorothy Nelkin, published in 2004 by Cold Spring Harbor Laboratory Press, Visual Culture and Bioscience, co-published by University of Maryland and the National Academy of Sciences in Washington, D.C. Her writings have appeared in Art and America, Seed Magazine, Nature Reviews Genetics, Art Journal, Tema Celeste and M/E/A/N/I/N/G. Her work has been the subject of reviews and articles in the New York Times, Artforum, Art in America, Flash Art, Nature and has been cited by Barbara Maria Stafford, Donna Haraway and Martin Kemp in their texts. Most recently she has collaborated with anthropologist Sarah Franklin, on an article and interview for Social Text journal. She has hosted twenty episodes of the Bio Blurb show, an Internet radio program originally on WPS1 Art Radio, in collaboration with MoMA in NYC, now archived on Alana Heiss’ Art On Air. She has been a speaker at Harvard University, the Royal Society in London, Cambridge University, Yale University, the London School of Economics, the Max-Planck Institute, Universitiy of Leiden, the Hamburger Bahnhof Museum in Berlin, the Courtauld Institute of Art in London, Banff Art Center any many others. Chairing SVA’s Fine Arts Department in NYC since 2005, Ms. Anker continues to interweave traditional and experimental media in her department’s new digital initiative and the Nature and Technology BioArt Lab. (

2014 - 2014 test
2012 Established a Nature & Technology Laboratory at the School of Visual Arts (SVA), New York
2009 Visiting Researcher at the Center for Literary and Cultural Research, Berlin
2005 Instructor in the Department of Fine Arts at the School of Visual Arts (SVA), New York
2004 Release of a book entitled “The Molecular Gaze: Art in the Genetic Age”, written together with Dorothy Nelkin
1994 Curator of an exhibition entitled “Gene Culture: Molecular Metaphor in Visual Art”, shown at the Fordham University, New York
1988 - 1993 Director of a NYU Painting and Drawing Program
1988 - 1993 Director at New York University (NYU)
1976 MFA from the University of Colorado, Boulder
1967 BA from Brooklyn College (City University of New York)
Visiting Curator at the New York Academy of Sciences (NYAS)
Born in Brooklyn, New York
Received a New York Foundation for the Arts Award

Exhibitions & Conferences
Publications & References
Anker, Suzanne. »Prime Objects nad Body Doubles.« Art Journal 68 (2009): 99-104.
Anker, Suzanne and Susan Lindee and Dorothy Nelkin and Edward Shanken. »Technogenesis: Aesthetic Dimensions of Art and Biotechnology.« Philosophy and Medicine 97 (2008): 275-321.
Kemp, Martin. »The Mona Lisa of Modern Science.« Nature 421 (January 23th 2003): 416.
Anker, Suzanne and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age. 1st Edition th ed.New York: Cold Spring Harbor Laboratory Press, 2003.
Nelkin, Dorothy and Suzanne Anker. »The influence of genetics on contemporary art.« Nature Reviews 3 (December 2002): 967-971.
Stafford, Barbara M. and Frances Terpak. Devices of Wonder : From the World in a Box to Images on a Screen. : Getty Catalog Press Release, 2001.
Princenthal, Nancy. »Code. X: Genome (Review).« Art in America (February 2001).
Anker, Suzanne. »Gene Culture: Molecular Metaphor in Visual Art.« Leonardo 33 , no. 5 (2000): 371-375.
Stafford, Barbara Maria. Visual Analogy. Consciousness as the Art of Connecting. Cambridge, MA: The MIT Press, 1999.
Whittemore, Hank. Your Future Self: A Journey to the Frontiers of Molecular Medicine. London, UK: Thames and Hudson, 1998.
Anker, Suzanne. »Cellular Archeology.« Art Journal 55 (1996): 33-34.